Approaching Mystical Union with Jennifer Trently / Transcript

Note: Can I Say This at Church is produced for audio listening. If able, I strongly encourage you to listen to the audio, which has inflection, emotion, sarcasm where applicable, and emphasis for points that may not come across well in written word. This transcript is generated using a combination of my ears and software, and may contain errors. Please check the episode for clarity before quoting in print.

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Seth Price  0:07  

Hey there, this is the next to last episode of 2020. That's exciting. That's so exciting. Now, you probably heard something different last week in the episode with Scott Erickson. And if you go back in the archives, you'll probably hear something different as well. So I wanted to give a little bit of clarity there. My intention was that in 2021, I would begin to pilot maybe running a few ads on the show, because as the show continues to grow, it does get more expensive, and the patrons cover the bulk of that, but not all of it. So you're going to see a little divestiture there. And I appreciate you bearing with me while I figure it out. Because like everything with this show, it's all new to me, every single thing that I do, is something I've never done before. So here's what will happen, you're gonna have a few ads mixed into the show, on occasion, it may be will or maybe will not happen every show. If that's something that you don't want. If you're like, yeah, I'm not interested in that the patron supporters of the show will always have a 100% ad free version of the show, as well as an unedited version of the show and at different levels, possibly even the video version of the show. So thank you for bearing with me with that it's par for the course I think, for most podcasts and it took me a while to come to a decision to do that. But I would love your feedback on that and appreciate your your understanding there and, and working with me. Feel free to fast forward through the ads if you want to. Or don't maybe there's something nice, I have no idea. So there's that.

Oh, one last final announcements. So this week, and the next week are the last weeks to get any discounts out of the store for the podcast. Just use promo code FU2020 because FU2020 weeks away, and you'll get 15% off of everything in there. If you are a supporter on Patreon, you'll get a 20% discount, but you do have a different promo code. So don't forget about that. All right, that's all out of the way. Here we go.

Jennifer Trently is a friend of mine. She's someone that I have grown closer and closer to as this year has gone by. She's freaking brilliant. And I love her perspective that she often brings, as we talk about things theologically, not just in this episode, but text messages. And then just in everything like she's just fantastic woman, and I'm overjoyed to bring this conversation to you. So here we go with another installment of the Patreon conversations with Jennifer Trently.

Seth Price 2:37

Jennifer, how are you doing? Welcome to the show. I'm excited to put more than a Marco Polo face that I'm four weeks behind on I don't know how many weeks 20 videos is but it's …yeah, I'm horrible. But Welcome. I'm glad you're here. I'm glad to know you. And I'm glad you're here.

Jennifer Trently  2:53  

Well, thank you. I've been looking forward to this. And I hope I haven't like put too much pressure on you to get this done. I just kind of wanted to do it.

Seth Price  3:08  

(Seth laughs) No pressure at all. I mean, I can say no. So no pressure at all. But yeah, lots been happening since we first started. I mean, so I went to Texas and back and a bunch of other things. So, um, and a few people have reached out and you've been consistent in that. I do want to thank you for that. It's been a big help.

Jennifer Trently  3:26  

Well, you're welcome. I'm very big about because I've been through some things in my life enough to realize that, you know, everybody has their family, and they have their inner circle. But sometimes, it's really good to have some people that don't really know the inside scoop to just check in on you. And I kind of, I don't know I just have a sixth sense sometimes, with who the people are that kind of need that.

Seth Price  4:00  

Yeah, it was good. It was good. Very good.

Jennifer Trently  4:05  

Well you're welcome.

Seth Price  4:07  

Tell us a bit about you. So, the patron conversations are always the most difficult for me. Because there's just, you know, we just don't know a lot about each other. So tell me, tell us, tell all of everybody a bit about you.

Jennifer Trently  4:25  

Okay, well, currently I live in Jackson, Tennessee, with my husband and my two cats. And I'm a spiritual director, which I've been doing. I've been doing it since 2014. But really more seriously in the last year because I work from 2015 until May of last year I was working on a master's in Christian spirituality through Oblate School of Theology in San Antonio. So my basic approach to spiritual direction is an idea of surrounding soul care and helping people figure out how God works for them. And I mean, most of the people that come to me are people who are kind of in some kind of “something's happened in their life”, or they're in some kind of position where they're by themselves or whatever. And, you know, they just think they're, well, they're like, a lot of people that listen to this podcast, they think they're crazy.

You know, they think they're crazy, because their approach to God doesn't fit anymore. And you know, so most people, I meet with them once a month for an hour, and the relationship can continue as long as they want. And generally, it's a form of deep listening. The idea is that the Holy Spirit is always present. And I'm there as a companion and a person to ask clarifying questions, not to give advice. So, A, I'm not trained as a therapist, but also I'm not a therapist in that I'm not there to give you specific solutions, or to guide you through particular method. I mean, a lot of people are in both therapy and or they have a therapist, and then they also come the spiritual direction.

And it's also not not pastoral counseling or discipleship, because it's not generally focused on dogma or theological questions, or, you know, my directly guiding you. I mean I’ve had people, you know, that come out of very traditional church backgrounds, to people who haven't been to church to people who really, you know, soul is a word that they use. I did a little bit of work with a gentleman last year who, you know, his term was “the vortex”. And so I have a whole range of people who are drawn to my work. And it's, it's always intriguing to me, and you might understand this, but when I talk about being a spiritual director, or even about my Master's in Christian spirituality, it's it's church, people who get big eyes and tell me things like, that's nice for you. It's people outside of the church who are on the fringes who are curious. Yeah. And so mainly, a lot of what I do is help people figure out a way to communicate and have a relationship with God that fits them that's outside of the box. You know, you don't have to read the Bible for an hour. You don't have to read 10 verses of scripture. You don't have to pray for 20 minutes, you know, kind of throw out all the rules. Yeah.

Seth Price  8:22  

So a couple just clarifying questions. Did you finish your masters?

Jennifer Trently  8:26  

Yes, I did. I graduated in last May, in May of 2019.

Seth Price  8:32  

And then where is Jackson, Tennessee. So when I drive from Virginia home to Texas, like I start in like Knoxville, Bristol, and then go the long corners, the bad corners, because there's not a shorter way to get there, Tennessee. I don't know where Jackson is?

Jennifer Trently  8:49  

Okay, so if you are coming down I-81 Have you ever been to where the 81/40 split is?

Seth Price  9:03  

Yeah, that was the way I would go is 81/40/30/20 to get home.

Jennifer Trently  9:07  

Okay, so if you're coming across on 40 West, you know you hit Nashville then Jackson and then Memphis so basically you passed my exit. You could have come and stayed at the house Seth.

Seth Price  9:24  

I haven't made that drive and a long time, now I fly.

Jennifer Trently  9:28  

Yeah. I totally get it. It's a very long drive. Yeah.

Seth Price  9:35  

Yeah. I think the last time I did it, I drove from Midland all the way to Knoxville. Yeah, no, yeah. No Kingsport?

Jennifer Trently  9:47  

Yeah, Kingsport

Seth Price  9:48  

There is a big rest area there. I passed out there, it was about 18 hours. I just drove straight through and mostly pounded Dr. Pepper and Red Bull. And made it and then yeah, I think I was getting back from midterm or something like that is back in college and it's the last time I drove it for it. Though, I may have to make a trip back out. I have to pick some stuff up from Texas in the next year or so. And you can't put that on the plane. So got to go out there and yeah, thanks. That word vortex causes me pause. Although I'm sure it works great for that guy. Vortex to me is an inherently chaotic word. Like all I think of when I think of vortex is tornadoes. That's all I think of, though there are other ways to think about vortex. I don't know what word I would give it. But I'm glad that works for him. What is so you talked about soul care, and you use the word soul as well before I hit before I hit go. So what is the soul? And what do you mean, when you say soul care?

Jennifer Trently  10:47  

The part of you that connects with spirit. You know, it's not your intellect and it's not your heart, where your emotions link in, but it's that place where there's the divine inside of you, that place where we as human beings seek out a power greater than us or higher than us.

Seth Price  11:21  

Define the inverse of that. What’s the inverse of soul care? Like, how do you diagnose someone as needing soul care? Like what is happening in me? If like, in a conversation, you're like, well, here's what we need to do. What does that look like?

Jennifer Trently  11:35  

I'm not necessarily giving, giving advice, Seth. I mean, I'm trying to think of an example. So I've been working with someone who's an Episcopal Deacon, and this person also works another 40 hour a week job. And she has a role in the church where she serving and then she works this 40 hour a week job. And so she's trying to figure out well, how do I care for myself, so I can offer something when I do preach on Sundays, or when I do go out and visit people, or, you know, I'm part of the feeding ministry, or whatever.

So for some people, it's kind of helping them figure out where it fits in their life. And then other people have been doing I mean, I have another person who's been doing a lot of reading some mystics, some people like Matthew Fox, and some other people. And you know, this person is trying to find their own way of connecting with God. And so, you know, I use the term with most people, a way to care for your soul is to approach things contemplatively in a way that slows them down. In other words, if you're going on a contemplative walk, it's not for exercise, it's a time for you to notice and to pay attention and to listen.

Seth Price  13:34  

I like that. I'm stealing that sentence. I'm making it mine. I'm plagiarizing that, that if you're going on a contemplative walk…I like that. Yeah, yeah. How has your faith shifted in the past decades, like the way that you view God now versus kind of the the God that you were raised with? If you were raised with a God at all?

Jennifer Trently  13:56  

Yeah. Well, I'll preface this by saying, Seth, that for most of my life, my issues have never been with God they've been with the church. I was given a faith at a very young age. My mom taught me to pray Dear Jesus and gave me a very practical like, you know, Jesus is your friend and in learning Scripture. I remember memorizing this Psalm about God being my refuge and her using that in terms of my being scared of the dark at a young age. It was very practical, and for the most part, as far as the way I was raised, I did encounter, overall, a loving God. It was really as I got older and was trying to figure out where I fit in Christendom. Because at first I thought that the church that I had grown up in wasn't a place that I fit.

Because by the time I got to high school, and I remember this incident very clearly was, we were talking about different things that the youth group was going to do next year. And I mentioned something connected with the Bible and several the kids threw ice cubes at me. And so I was in this mainline denomination church that I learned about social justice and love and mission in terms of feeding people and outreach. And some of the people there did the Bible study. So I was drawn to kind of what some of what your listeners and what Glenn's listeners on the What If Project have grown up in and are trying to deconstruct from. I was drawn to that evangelical world because I thought, well, you know, these people do a whole lot more Bible study, and they don’t drink. My father was an abusive, alcoholic, and, you know, I see “this” quality and “that” quality.

But then I realized, wait a minute, somewhat naively, I didn't see some of the other stuff for a while like, they don't ordain women. I always grew up, all the churches up in, ordained women. I always saw women in ministry. And so that was a crazy idea. And I, you know, discovered the whole like, creationist thing, and I was like, well I don't take the Bible, literally. And I've ever seen the Bible and science at odds with each other.

So then I had to figure out where I, you know, kind of where I belonged. And I guess you could say, maybe, my intuitive knowing and my life experience has always kind of put me in a place where I've sort of felt like I'm on the edge of the church.

Seth Price  17:42  

Yeah. How is that in the middle of Tennessee then?

Jennifer Trently  17:46  

Well, so currently, well, this is West Tennessee where I am, in Jackson.

Seth Price 17:57

Okay.

Jennifer Trently 17:58

So West Tennessee, Memphis, the part of Tennessee that I live in is like more the Mississippi Delta. Think cotton, think soybeans, think flat, and it's very conservative. And so my husband and I belong to Episcopal Church so the bulk of our community thinks we're too liberal, and we don't read the Bible.

Seth Price  18:23  

Because of the church you go to?

Jennifer Trently  18:26 

Oh, yeah, yeah!

Because of course, you know, as Episcopalians, not only do we ordain women, but you know, we ordain and marry gay people. So we surely have it all wrong! (sacrastically—Seth laughs) But part of part of for me why I am where I am, well, it's two reasons. One, is that I've had some life things happen where liturgy and the connection to the ancient Church has become very important to me. It's a place where I find grounding. And so the liturgy of the Episcopal Church combined with the fact that it's very inclusive, and provides a wide umbrella, is comfortable for me. Does that mean that everybody in my church in Jackson really gets or has had any interest in my Masters in Christian spirituality or have asked me a whole lot of questions about spiritual direction? No.

And that's also, to, why my degree is in Christian spirituality, Seth. So I actually for a while when I was in the Methodist Church, United Methodist Church, I thought that I was being called to be a pastor and I did some lay preaching for several years. In fact, some of those sermons are posted on my blog if you go back to 2013, 2014, 2015 sermons are there. But um, I guess two reasons: One, becoming a spiritual director because really it was a one on one relationship but also in terms of starting to connect, and having silence become more important to me and connecting with the mystics and connecting at a point in my life when I was in pain. Connecting with Thomas Merton and Henri Nouwen and other other people that have been mentors and have taught me a lot about that; was fact that there's so much richness in those ancient rhythms. And that we've thrown a lot of the, you know, baby out with the bathwater. You know, for so many things that we've missed. And so it was great. I loved it.

It was academically challenging, but it was also it was also pastoral and practical, and, you know, deeply, deeply spiritual and soul piercing at times. And so that's something that I feel like is also a unique sort of thing that I bring to my work in terms of, you know, a lot of some spiritual directors are connected with retreat centers, some people, you know, are more focused on the enneagram, or they're more focused on the exercises of St. Ignatius, or they bring some other kind of, for me with bringing the happiness masters of Christian spirituality, and knowledge of mystics and the connection, I feel like I have a lot of tools in my toolbox to talk to people about spiritual practices and making connections and finding ways to experience Spirit and that it's a whole lot bigger.

Seth Price  22:08  

Can you go further in that, so you say, some of the ancient or older mystics and into some of this, so like, for Ignatian Spirituality, we talk about, like the Examen, and the Enneagram is very popular at the moment. So I think that that's pretty self evident. So what would be some of the other practices that you would have people kind of, you know, hey, give this a go. This is different. Like does it connect to liturgy or is liturgy more of a church thing just by itself?

Jennifer Trently  22:36  

It's both. Well, first I'll say this, one piece of Ignatian Spirituality that some people forget about, besides Examen is also there's an imaginative part of putting yourself in the story, approach of praying and studying Scripture. And then, of course, there are the prayer practices, and the rhythms in the rule of Saint Benedict, he was St. Benedict was the one that develop the Divine Hours. And so you have praying the seven times a day. Which they still do in many Catholic monasteries around the world.

The Episcopalians went to four fixed hours of prayer, and then there are many other groups now in terms of how this has been revitalized, that have various approaches to morning and evening prayer. But in the traditional Divine Hours, the prayers, it's a praying of the Psalms really. You pray all 150 Psalms over the two weeks.

And the idea of Benedictine spirituality, the basic concept is, is that there’s this sacred rhythm of work and play and reading and rest and prayer. And then there's also an element of that there's no separation between the secular and the sacred. You know, think of, I don't know if you've ever heard of Brother Lawrence's The Practice of the Presence of God and he talks about, you know, experiencing the presence of God while washing dishes.

So this very contemplative approach to living. And also the idea in Benedictine Spirituality is the idea of always beginning again.

Seth Price  25:06  

Beginning again how? What do you mean? Like, beginning again tomorrow like the next hour like what ended that I'm…what ended?

Jennifer Trently  25:19  

Tomorrow or with God or whatever happened you can start over. There's always a clean slate.

Seth Price  25:29  

So one of the downsides of growing up in an evangelical only read the Bible thing is my lack of knowledge when it comes to any of the early, early, early church. Outside of you have to memorize the you know Apostles Creed or the Nicene Creed and outside of that those are the only ones that we need because that's what's in our worship music.

Jennifer Trently  25:50  

Well that's where the liturgy comes from. And then also just the traditions of, you know, of companioning people and of accompanying people and of bringing in, you know, Hildegard who was a German Abbess in the monastery she founded. The interesting thing about her is when you start studying her work, she did all this work around science and around healing and around music and medicine. And she has this concept of connecting with the earth called Viriditas, and it has to do with the idea of greening. And so it's a connection, it's a connection away of experiencing the Earth. And so that's, that's the other thing is within these early mystics, there's a whole Christian intellectual tradition.

I mean, these people were some of the most well educated people, a lot of them. And of course you have the the desert mystics. Which I did my master's thesis on a fourth century monk who was in the desert Evagrius Ponticus, but the desert mothers and fathers and the desert tradition of desert spirituality, of course, which arose out of Christianity at about that time. Well, I mean, it's sort of some of what you talked about on your show Seth, you know, these people went to the desert because Constantine made Christianity legal, and all of a sudden it was getting watered down.

And so you have desert mothers and fathers out in the desert and eventually people started coming to them and seeking out the wisdom from them and what they were learning. And yet they would go to the desert, and most of them, you know, they lived on their own, and they lived very, very, very, very simple lives. And yet know they have a lot of practices which make a lot of sense, which, if we consider them, you know, in context of our current world. And this is also taken from one of my mentors, Christine Valters Paintner who operates the online Abbey; Abbey of the Hearts. She's a Benedictine ablate, so she's like the lay person associated with a Benedictine monastery.

Anyway, she talks a lot about the practice of stability. And of course, in a monastery sense, or when you join a convent, it's your commitment to stay there. Well, in our sense, you know, she talks about our practice of stability is do you know the area around you or are you always running away to somewhere else? You know, you go on vacation exploring over here, but are you really connected to where you live? And are you, again literally or figuratively, what are you running away from? There's many different dimensions.

And there's many people who have brought some of these, she's dead now but there's a Benedictine nun, Macrina Wiederkehr, and she wrote a book entitled Seven Sacred Pauses. And basically it takes this praying seven times a day and basically kind of gives you a way to pause seven times a day in like, using little five minute versions.

And in spiritual direction, sometimes I'll talk to people about that. Like, okay, well, how can you take a safe pause during the day? You know, even in the most strict business environment, go and take yourself to the restroom for 20 seconds and just slow that process down.

Seth Price  30:18  

Yeah, I do that often. I find I go to either the safe deposit vault or the safe deposit vault viewing area, because there are no cameras and it's always a secluded part of the bank. Usually quiet. That's my refuge. That's my refuge at the bank.

Jennifer Trently  30:35  

There you go. There you go.

Seth Price  30:37  

Yeah, give me a minute. We'll be right back. (ad break)

One of my favorite quotes that I have, I have no idea if she said it, because I just took it from the internet. But I've had it for years. I keep it written down. I have it work as well, is from Hildegard. And I don't know how to say the last part like Hildegard of Bingen.

But it's something to the effect of, I don't have it in front of me, of “there is the music of heaven in all things” or something like that. Which I have kind of written down as a maxim, mostly for when I get really angry at things that I want to control. And I'm like, no, it reminds me to kind of look for there's got to be something something is good here. I don't know what it is something, something is good here.

Jennifer Trently  31:47  

So there's a lot of varied connections. And there's a whole lot more things that you know, we we don't realize, I mean, for example, when I studied Evagrius, I mean specifically in his writings, he talks about looking at Scripture from both a literal and an allegorical sense. You know, and there's also this idea of his approach was that literally sort of this fluidity way to be that you would almost become one with it. And that was part of also to the idea of the monks that it was not so much a memorization as it was a meditating or absorption of Scripture that made a difference in how you live your life. Not a straight intellectual memorization. But if you go somewhere, like the Abbey of Gethsemani, where Thomas Merton was, and go and stay in their retreat house, you can go to all of the prayer services that monks do.

Seth Price  33:04  

At the beginning, and I don't know if I was hitting record yet, but I want you to work them in because I don't ever get asked questions. And I'm curious what your questions are. So you said you often ask people, two or three questions. What are those? Let's, let's do those. Put me on the spot.

Jennifer Trently  33:17  

Okay. Well, usually my main three questions are How is your soul doing? Where do you see God? And where are you resisting God?

Seth Price  33:29  

I'm gonna give these a go. I'm already upset about the last question, though. (laughs)

Jennifer Trently  33:35  

Most people are! (laughs)

Seth Price  33:38  

But it does bring to mind something from a while back. So how is my soul doing? I don't know, it varies day to day. Today's been good. The weekend was good. Today has been good. I think that answer could change every single day for me. Life feels easier these last few weeks than it has in a while. So that's good. I don't know if that's me, I think I just honestly stopped caring as much about things that I could no longer control.

Jennifer Trently  34:10  

Right. Yeah.

Seth Price  34:12  

Overall, these last few weeks have been much better than the bulk of the year. So yeah. I don't know a better way to say it than that.

Jennifer Trently  34:22  

So do you've been paying attention to God more or where do you see God then in the ways these things have been better or easier?

Seth Price  34:30  

So I don't know that I've been paying attention to God more. I think I have been less distracted. So I've gotten back into older practices where on my way into work I drive about an hour back and forth from work. I used to always not listen to anything. So I could just sit there and think, and I stopped doing that. And so that's something that I started back towards the end of September, and that's been really helpful. It also is really helpful that this is a beautiful time of year in the Blue Mountains. So it's almost impossible to not see just wonder and beauty and splendor. I mean, the other day, Jennifer, I live at the top of a jet stream, the top of the mountain that I live at, there's running lights on the road, because there's fog there two to three weeks out of every month, enough that they literally have installed running lights down the road so that people stay on the road.

Some days, though, that fog looks like it's literally moving like an ocean over the top of the mountain while the sun is coming up. And I'll just have to pull over and I'll pray and I'll be late to work and I'm the boss so it's fine. And you know, it's not fine! But you know what I mean‽ So but there's been more joy, more things to be happy for, if that makes sense. The rest of the year has been so tense. I don't know if that's soul, though. But that's the closest answer I can get.

And then where do I see God? So lately, I've seen God in watching my kids play, and laugh, and giggle just amongst the three of them. For some reason, the last few weeks, there's been a lot less arguments, and they literally are just playing. Like over the weekend, my two oldest decided to ride bikes together, which is the first time that I've never had to force them to do it. And so they just like just rapturous playfulness. And I just sat out there in the front yard, just watching them. It was blissful. It was beautiful and so loving. When my wife got home, it's just like, “What are y'all doing”? And then the kids drove by. And so we all just sat out there is good.

And then the Where are you resisting? God, it is all the election, like I feel drawn away from people. And I think that everybody is a little bit of God. And so I feel guilty, drawing away from people that I just can't have conversations with just because of the way that we view the way a country should be run. And I'm slightly ashamed of that; actually more than slightly ashamed of that.

Jennifer Trently  37:05  

And yet, there's an aspect to that Seth, that's also very nurturing and is also very much, you know, following Christ. I tell people all the time, you know, what did Jesus do after being with crowds of people? Well, he withdrew and prayed and he slept. And we don't know what all those times he was dealing with. We don't know, you know, there's a big difference between like, and love, we don't know that he liked everybody, right? And there's also you know, and when you were talking about your silence on the way to work, that's a practice that I encourage a lot of people to do a lot. That's the time of day where people can find silence to build some silence in your life. But also getting back to a comment that you made about experiencing joy and then being happy. So how do you see those two being different?

Seth Price  38:09  

Hmmm. So I think joy is watching things happen, that I'm not a part of, and finding happiness in that. So if joy is the fuel Happy is the gas mileage, if that makes any sense for a broken metaphor. So like joy fills up the tank of happiness, if that makes any sense? So, I think if I'm not finding joy I become belligerent and sarcastic in a horrible way. And I’m just not a good person to really be around. And you can ask my wife.

I have those days or weeks, or maybe months-everybody has those days. But I think I think there's a big difference, I think joy is the fuel that creates happiness.

Jennifer Trently  38:54  

So do you think you can have joy without being happy, then?

Seth Price  38:59  

I don't know how but I guess maybe somebody could I for me at this moment I'm not sure how.

Jennifer Trently  39:05  

I guess one of one of the things, you know, that I've become more convicted of purely over the last six years, and during my time that I've really delved into Alexander Shaia’s work is the idea of “both and”. It's both joy and suffering and that most of the time, I can't separate the two. It's both that you know, crossing the storming seas in Mark and abiding in the garden in John it's both of those.

And I've lived in those places a lot. And you're talking about the way that my faith has changed. I think, you know, when I came to Alexander's work and Heart and Mind actually, when I read and got to know him initially, Heart and Mind didn't exactly exist. But those four questions just, it just I had reached a very difficult place. And I had reached a place where I was really feeling like, you know, pretty dry and not a lot of things were making a lot of sense.

And, it really, like, put the gospel in a whole new perspective for me. And I use those questions a lot with people. I will just say, “Well, you know, my mentor, Alexander John Shaia, he looks at the Gospels and have you ever thought about, you know, looking at it this way? And I use them a lot in my own life and my own journey. It's very earthy, and very dirty. And, yet, it fits.

I wouldn't go back, I wouldn't have it any other way. I do joke with Alexander and I say, you know, if I had known what I know, now, I'm not sure that, you know, I would have gotten into all of this, because it's been a lot messier, a lot more painful than I wanted it to be.

Seth Price  41:35  

That is accurate. I find that, and Alexander and I've talked about this in the past, I intentionally choose one of the binaries because it's easier for me to deal with; it's just easier. And sometimes I'll be talking with him and he'll be like, “you’re missing it”.

And other times, you know, it's easier than others. I think it depends on what's happening in my life. But that awareness of it is the hardest part. Because it's so easy to fall back into this side or the other.

Jennifer Trently  42:11  

Yeah, yeah.

Seth Price  42:14  

Yeah, I think it's easy to see the change that you're facing. I think Mark is difficult. And I think staying in John is so easy. That's where I want to stay. It's just resting in the garden. I don't need to do anything. Other people do things. That's where I need the prodding. The other three, almost makes sense. But it's the prodding, the do something, the maturing in service that's the hard part.

Jennifer Trently  42:39  

But those, both and, you know, I think it was a couple of years ago, I heard Brian McLaren speak. And I think he was the first one I heard this term. And I use it a lot in spiritual direction. And I've written about it on my blog is, you know, I've lived in a space of holy uncertainty. And, you know, I talk about that with my directees. Become no comfortable with the idea of, you know, holy uncertainty. And the idea that both light and dark have limits, and that light can be just as dysfunctional and toxic is dark.

Seth Price  43:19  

Yeah, I've been playing with light and dark a lot lately. So I'm gonna read you something I just wrote. And I'll probably leave this in the episode, because I'm too lazy to edit it out. I only edit out sneezes or whatever. I try not to edit out much. Where is it at? So, I've been writing and I sent you different outlines along the way. Yeah, so there's a term called Chiaroscuro, I don't know if you're familiar with that or not? It's an artistic term. So like, if you're going to draw a portrait of something it's the effect that light and shadow has on all observable reality.

Now for art, it would be like if you're looking at me, like it would be this line right here (showing my profile). But I see that as a spiritual thing too, like, what do you see under a very bright light? And then also, what do you see under barely, a very absence of light? Like in all of the things in between? But in art, what they would teach us to do is (to) squint your eyes so that everything is blurry, and the line begins (to form) so you can see all the intricacies so that you can more easily adequately descript it. And that's the part of God that I've been trying to see lately, like, the blurred Lines. And that's where I stopped writing. But I don't know a better way to I still haven't figured out the words on how to voice it.

Jennifer Trently  44:45  

Yeah. Well, yeah. You know, that's a lot of what many mystics struggled with that whole idea of, how do I be authentic and how how do I be my true self versus false self? And how do I, you know, approach, mystical union and just this very deep holistic connection. You know, another thing that I think a lot about, Seth, is when I'm struggling with where I'm at or what's going on, I think about Teresa of Ávila in her writing she uses one of those phrases from Song of Solomon. And she the head nun, and she's telling some of the Sisters below her, “well, you know, God's put you where he has. He's put you in the wine cellar where he wants you.”

You know that's another thing that I love about the mystics and the ancient church is that they’re a whole lot more comfortable with that wisdom literature than we are, you know, a whole lot more mention of Proverbs and Ecclesiastes and Song of Solomon on a whole lot of levels.

Seth Price  46:30  

Yeah, I was watching a YouTube video of Rob Bell the other day, and I don't know which one it was. It's I don't even know it was there; someone sent it to me. And it was on Ecclesiastes, he's and he went all over the place talking about dogs. And you know, the way Rob does whatever Rob does, some days I'm in the mood to listen and other days, I'm not. But he kept having this one part. And since then, I've said it a lot enough times that my family is annoyed with it of the “What's it matter, we're all gonna die!” But the way he said he's like, we're all gonna, so let's just, let's just have another drink, or one more laugh or one more hug because we’re all gonna die. And oddly enough, that doesn't make me feel bad. Like, it actually makes me feel good, if that makes any sense at all. But yeah, that wisdom literature.

Jennifer Trently  47:12  

Oh, wait, it makes sense. Because, you know, in a lot of ways, it's all about priorities. And I was listening to a podcast the other day, the other podcasts that I've started listening to regularly now that I listened to them now that I'm walking. We move kind of outside of town, I have about a 20 minute drive into town. So I listen on the days I go into town to run errands, but is one called Encountering Silence. And they were doing a interview the other day was who was talking about the idea of he was talking about it from a science perspective that, you know, if you're truly a scientist, that when when you're approached with a question, that even if it's a millionth of one time that you're going to take a fresh look at it. And I got to thinking about, you know, in terms of, you know, our listening to God and are responding to other people and all of that, that every time we read something, and every time we share something, and every time we ask a question that it should always be that that freshness, it should be like that millionth and one time, we shouldn't still be saying the same thing that we said back at 750. Or whatever.

Seth Price  48:44  

Yeah, there's no growth in that. No growth at all. Do you ever look back at your old posts or blog posts or things that you've written and you're like, I don't even know that person anymore. I do that often.

Jennifer Trently  48:58  

Yeah, I mean, some some things, I can see glimpses of that, um, you know, like, I can definitely see that in my sermons. Some of the things that I've put on my blog that are there (that are) related to my own journey, I can see what I've learned. For example, there's a series of posts on my blog of my entire after a very difficult family situation in 2014. I took a two week driving trip by myself. And I called it a pilgrimage because I stopped at friends and family and in the middle of it was a retreat that I did a sacred rhythms of writing and yoga retreat that Christine Valters Paintner did in Cape May New Jersey. And I have I grew up in the northeast and my husband grew up in the northeast, and while I don't have family, his family is up there. And I have friends and things. So I stayed and visited with a lot of different people. But I start on day one and the different things that I reflected on through the 14 days.

And so if I go back and read that, that's more of a scene, seeing the growth that's like, wow, this is where this started, you know. I mean, I can definitely see a very definitive line between, you know, the Christine Valters Paintner has this book called The Way of the Monk, The Path of an Artist. And I did the course with her in 2012 online, and I can definitely see a trajectory of how that led into my being a spiritual director, and led into my master's program. And interestingly enough, the parallel with that was is that I started being in contact with Alexander about the same time. And so the two of them together have kind of brought about this growth place in this very different place that I never thought I would know, I never would be in.

Seth Price  51:31  

I have to read her stuff, I'm not even familiar with her name, I'll have to get into some of her stuff.

Jennifer Trently  51:33  

Well, I lead two groups right now around this book, this is her latest book. Interestingly enough, it kind of fits with Rob's book, everything is spiritual, because he mentioned so much about Earth and outside and stuff. But anyway, Earth, Our Original Monastery. But anyway, so so I can definitely see, you know, I had an opportunity to be with some older women in a spiritual formation group. And I remember when I first started in that group, I thought, you know some of these women are very quiet and, but when they speak the wisdom, and I really learned silence from them.

I really learned how to kind of slow (down) but I don't always, I mean, I talk louder when I get excited. And if you and I were sitting together, probably I might be hitting you with my gesticulations and you know, that's who I am on that trajectory of geography. Um, so I saw post that you and your wife are on it, date night, and the location was listed at Staunton, Virginia, so I’m guessing that’s not very far from you, like, how close are you to (there)?

Seth Price  52:58  

So they pronounce it “Stanton” here because they don't know how the English language works. They're wrong. (but) I lost that battle. That's what they say. So it's maybe 15 minutes west.

Jennifer Trently  53:11  

Okay, so, yeah, so here's the story with that when I first moved to Tennessee, and mom was in a place where she didn't have a lot of money. And I didn't have a lot of money. There was one Thanksgiving where that's where we met at the Cracker Barrel.

Seth Price  53:30  

Right off the interstate there.

Jennifer Trently  53:31  

We stayed overnight in a hotel together and we had Thanksgiving at the Cracker Barrel.

Seth Price  53:37  

That’s where the two interstates meet Interstate 64 and Interstate 81.

Jennifer Trently  53:41  

So I know all those, and I've made that trip many times, I know all those 81 exits very well.

Seth Price  53:54

Yeah, um, well, good. So last question. Yeah, just because my brain will falter if we go much, much further. So, but probably not one that you're unprepared for or maybe, but same question for everyone.

Jennifer Trently 55:09

Oh yes! I could even tell you the question!

Seth Price 55:13

(laughs) So what is the question then this will be fun? You ask the question and then answer it, or I can ask you.

Jennifer Trently  54:18  

Okay, yeah. If I was going to tell people about God, what would I say; or how would I describe God?

And so I've actually been contemplating this. And so what I came up with is that, I would say that….that God is the Creator, the Redeemer and the Sustainer who's always with you and who loves you unconditionally.

Seth Price  54:55  

I like it. I like it.

It is a deceptively hard question, isn't it?

Jennifer Trently  55:01  

Yeah. It really is.

Seth Price  55:02  

Jennifer, thank you so very much. I've enjoyed it. Thanks for your for your kind words as well and for your prayers over these last few months. Thanks for coming on. And thanks for them.

Jennifer Trently  55:12  

Oh, you're welcome. You're welcome. It's my pleasure.

Seth Price  55:38  

Next week is it, it's the end, right. It's the end of the year. So I'm trying something new next week. We'll see how it goes. I do want your feedback. I'm so thankful for all of you that are listening. Please remember to rate and review the show, jump in with the rest of the Patreon supporters if you want to. And there are many, many perks to doing that. And hopefully next year I'll figure out how to add more perks to that. And then finally, Specter Jones, thank you so much for your music. In this week's episode, you'll find links to their music in the show notes or at the playlist on Spotify and Apple Music for the show. I hope every single one of you as you're listening to this are staying safe for Christmas. See with your family, and it's full of joy and laughter I will talk with you next week.

Be blessed.

Honest Advent and a God of Wonder with Scott Erickson / Transcript

Note: Can I Say This at Church is produced for audio listening. If able, I strongly encourage you to listen to the audio, which has inflection, emotion, sarcasm where applicable, and emphasis for points that may not come across well in written word. This transcript is generated using a combination of my ears and software, and may contain errors. Please check the episode for clarity before quoting in print.

Back to the Audio Episode


Scott Erickson 0:14

Jesus came into the world where there was no room for him but God made a space and God will make a space for your incarnation to.

Seth Price 0:35

So I'm wondering what all of this madness of this year is doing; what it's bringing, what it's birthing? Because in the middle of darkness when the world seems like it's furthest away from everything good and warm and holy that new things are incarnated and birthed. And that you and I are a part of that. I'm Seth this the Can I Say This At Church podcast. Thanks for downloading today. Thanks for being here! I think you're gonna like today's episode.

So I brought on Scott Erickson, who was on a while ago, honestly, I don't remember when I brought him on back in the day to talk about a book on prayer. And you'll hear us joke a little bit about that. But I really enjoyed this conversation. So we talked a bit about some really janky Christmas songs as it goes on the radio. But we talk a lot about art and wonder and beauty and how things that are being incarnated draw things out of us, and what that means for faith. So let's go.

Seth Price 2:08

Scott Erickson, The Curator of Awesomeness, which is the best email tagline that I think I've seen in a few weeks. Welcome to the show for the second time, though, for those that have been listening for the last few minutes; by the way, Scott, there's two versions of this show. There's the one where I was recording the last few minutes while we soundcheck because why not? And then there's the second; and so people will get that joke, and then there's this one, the edited version that everybody gets to hear and but that is what it is. But what is a curator of awesomeness? What does that mean?

Scott Erickson 2:40

Well, I'll go with a two fold answer. One, it's something I made up when I was recently relieved of duties at a design agency. And I found myself unemployed going, “what do I do next?” And when you're emailing people, you should have a tagline of what you do, and I just was like, I just picked it. So there's that but two: I think I actually intuit…ed, intuited?, intuitieted?..I'm an author…about (Seth laughs) the kind of work that I knew I wanted to do; which is, curator is a artistic term. I mean, we, you know, curator at a museum, but actually curate is an old word for a priest, a curate. It was a person like the priest who is in a community who was paying attention to the rhythms of life, who was there to create the ceremonies of birth and death and marriage and all of these things that were happening in community.

So there was a person involved in the community, who was paying attention and kind of creating rituals out of life. And then awesomeness. Well, you know, there's some definitely like, “bro, tubular, awesome”, that's there. But also, I think that awe and awesome and wonder, are things that I'm really in have been engaging to me. And so I want to curate wonder in people's lives with my work I want to, like be a curate of this kind of awesome wonder and that kind of thing. So I it's funny that I picked it and I've kind of been slowly living into it.

Seth Price 4:21

Yeah. Well, so, when I realized I hadn't sent you the zoom meeting'; that's my fault. So I was standing next to my wife. And when the email popped through, I was like, “Huh”, and she was like, what I'm like, what's a curator of awesomeness? And the look she gave me was like, “What are you talking about”? And she just walked away. I was like, “man”, like, it doesn't matter. Yeah, but Welcome back. So last time I talked to you, it's like three years ago, two years ago, I don't remember when you wrote the 40 Days of Prayer book.

Scott Erickson 4:49

Uh…it would be two years ago.

Seth Price 4:50

I don't know-time is a vortex of COVID and drywall. So question. I haven't asked this of anyone that's written a book recently, but um, literally thought about this today, what has it been like promoting a book during COVID? Because as I have stalked you on Instagram with 88,000 other people or whatever, mostly because I like your pictures. And by pictures I mean your art…

Scott Erickson 5:16

Yeah, my drawings.

Seth Price 5:17

Yeah, I don't actually know if you post any actual pictures, doesn't matter. (Scott laughs)

But I've seen you know, I'll watch you travel throughout. You’ve got like these miniature talks like you're doing like live events. That's a different thing. So what is it like, like publishing and promoting a book in an environment where you're encouraged to not be with people?

Scott Erickson 5:34

Yeah, it's disappointing and then you got to roll with it. So I actually I called all the people I could possibly know who were releasing books during COVID. So my friend Colby Martin released a book called The Shift.

Seth Price 5:50

I don't know Colby.

Scott Erickson 5:52

Science Mike McHargue, talked to him for a little bit. And then a new friend Kendra Adachi, she wrote a book called The Lazy Genius Way. And her book became a New York Times Bestseller in August when she released it. So she basically, like figured out how to be happy. It really matters, like the pre sales, and then you basically get like books released on Tuesday, and you get up to Friday. And if you sell a certain amount of books, which is 10,000 at least, you can get at least in the room to be considered. There's actually four things to be considered for a New York Times Bestseller. Which I found out from her. So she has my art up in her house. And I didn't really know her, but a friend was like, hey, this person I follow she has your art. So I reached out to her. And I was like, “can I just talk to you about releasing a book during COVID?” And she's like, “yeah”, and we talked for a couple hours on the phone, gave me her whole strategy. So I really followed what she said, in my own way, which was, she was like, there's a million ways to sell a book. So do what you do, and do it well.

And when she said, I focused on three things, which was my book launch team, podcasts, and a pre sale bonus. And I pretty much did the same thing. So I tried to figure out a pre sale bonus, which is I had this thing that I hadn't done in three years. I had it, it was these kind of hand, sounds so weird, hand motions, these like embodied movements to kind of deal with anxiety and fear. These like prayers, and I had charted these out, and I actually had used them in my life to deal with a very anxious time. And so I actually wrote like a little mini book, I re-illustrated everything. I spent 10 days on it. And I wrote a little book, and I made an ebook. And I released it all on Instagram. And I was like if you want to get this all you can only get it in this presale bonus order, you know, so it's like forced people to buy the book. And then podcasts and stuff.

Seth Price 7:49

Yeah, yeah. So you're now in New York Times bestseller? Is what you're telling me.

Scott Erickson 7:52

No, I did not do it. (laughs)

Seth Price 7:55

That's alright.

Scott Erickson 7:56

The last time I checked, I've sold like 12,000 books, which is really great. My publisher is really happy. But I did not do that in a week.

Seth Price 8:04

I don't even know for context, like I don't know what like. So I've had people tell me before they're like, well, your podcast is relatively successful; what are your numbers? And I'll give him the numbers and they are like, “Yeah, that's great”. And I'm like, is it though…I don't?

Scott Erickson 8:18

(Sarcastically laughs)

Is it? I don't know.

Seth Price 8:20

I don't know (because) there are hundreds of 1000s of podcasts. It's like Netflix like nobody tells me what the numbers are. I don’t…I'm pointing at the TV here. I don't really know.

Scott Erickson 8:27

That's really interesting about it gotta be so weird making stuff and then Netflix, or why I listened to an interview with Jason Sudeikis for his Ted Lasso show that's on Apple. And because it was on Brené Brown’s podcast, because she loves the show. And he is like, “we don't know, like Apple won't tell us the numbers. So we actually have no idea of the show successful or not. They just signed us to a second season…so I guess it's working…”. That's got to be the weirdest thing. Like to not know the rubric of success because there is one but you're not allowed to know it. You just have to be at the whim of this bigger organization.

Seth Price 9:05

Yeah, it was maddening at first for me because I was like, I don't even know if anybody's getting anything out of these and and then I realized that I just didn't care, Scott. Like I was like, well, I'm getting something out of these. Like, I'm learning a lot and yeah, to heck with the rest of it.

Scott Erickson 9:20

Yeah, yeah.

Seth Price 9:21

Which is probably the right attitude for everything.

Scott Erickson 9:23

I think personal transformation is the thing you got to do first and then invite others into it that's really where this book came from it. That is where art comes from.

Seth Price 9:31

So the name of the book is Honest Advent, but I'm gonna be honest, this isn't a Christmas book and advent is supposed to be Christmas like what is this? Because it's not like…when I got it I was like, Okay, cool. So this will be structured some of the 40 Days of Prayer, I’ll get a really strict liturgy. And that book had a strict liturgy, or at least I felt like it did. And that's probably Justin taking control of the writing, but I'm gonna blame him because he's not here. And even if he was, he'd be on a bus cutting in and out because he's I think you called him a #bigdeal. (We both laugh) But, I kind of expected it to be like every other advent book that I'd ever written, or…not that I've ever written, that I've ever read. And it wasn't that. So is this even technically an advent book or does it just release around Christmas? Like, what is this?

Scott 10:32

Yeah. My friend, Hillary McBride. She wrote a great endorsement. And I think she says, like, this isn't really an Advent book as much as a book about just human life. But it uses these very few passages that speak about the birth of Jesus, the incarnation, as the filter as the meditative anchor, to this larger idea of human vulnerability being the avenue for divine connection. What started this whole thing was, well, there's a lot of things that started this, but really being disenfranchised with the brand of Christmas. And wonder if it had any real relevance to the chaotic world I found myself in. Its incepted like four years ago, after the last election, which was divisive and long and exhausting. We had Syrian civil war we had Flint water crisis, multiple mass shootings, Zika virus, all of this stuff. And then like in November, I walked into a Target and like Christmas decorations were everywhere, you know, as it does every year just descends on Western society. And I just remember feeling like this feels really irrelevant to the world I find myself in and I'm a big fan of Christmas, like, I've listened to Christmas music most all day today. Like To be honest, like I…laughs

Seth Price 11:50

No. No. No.

Scott Erickson 11:52

I have it in my car! I have a playlist playing in my house! (Seth sighs) I put Christmas lights up on the house yesterday, we've had a tree up since November 1. So like we were into it, but like I want to be clear, like there is a brand of Christmas. There's a brand of Christmas propagated by Northern European and North America motifs of cold and snow and marketers just trying to sell stuff. But like Christmas is now this thing, that it's like anything that's not that is like well, that's not Christmas, just like you're saying, this isn't really a Christmas book, it's not a thing. And for me to like rekindle the wonder of the Christmas story, or the incarnation and the birth story, I needed to sidestep this whole brand, I needed to make something that looked nothing like it, the book has, I don't think anything looks like Christmas in there; maybe there's a couple stars or something like that. But at least the cover, there's no green or red, or tensil, or twinkles or anything like that. It's just Helvetica Neue black, and you know, two colors, and it's very plain. And that's on purpose. It's like, trying to make it really simple to just go…one of the Muses, for me is there's this Russian term, and it's ostranenie, it's like saying astronomy, but if you hated the letter M. Ostranenie was created by these Russian authors. And it's a creative tool, which is, ostranenie is the art of making that which is familiar or unfamiliar again. And this was used by authors and playwrights and all this stuff, but and that's really what good art is, is like seeing reality but going I never saw it from that side before.

And for me I wanted to unlearn the story that I've been told my whole life to try to see something different. And what really happened, for me was going, I'm not a woman, but I'm married to one and I've witnessed three pregnancies and births close hand and pregnancy is, you know, beautiful and sacred and miraculous. But it's also really painful and risky and a lot of bodily fluids. And there’s nothing sanitized or safe about it. And what hit me was just like, everybody has come into the world through human vulnerability, this like process of weakness. And it's kind of a wonderful and scary and frightening moment. And the divine, this invisible holy mystery, who decided to incarnate and become visible came through the same route we all did which was through human vulnerability.

So my question four years ago is like, are you still in our midst? Are you still coming into the world and where and how are you doing that? And the invitation for me was like look at human vulnerability as that same avenue for incarnation. So this book is less about what was Christmas like the first Christmas? It's not trying to decipher that. This book is about how is it still happening today? That's what this book is about. One of my teaching muses is the only reason we tell any of these old stories from the Bible is because they happened back then, yes, but they're still happening today. That's the only reason we tell these stories. If they weren't happening today, we'd be like, “that story doesn't apply to anything, that doesn't make sense”, you know? But it helps illuminate that it's already going on here. And that's why we keep telling it. So this was my journey of how is it still happening here?

Seth Price 15:28

Yeah, I'm gonna just openly express my displeasure that you've already used two words that I'm unfamiliar with curate, I think you said and then whatever the heck that Russian word is.

Scott Erickson 15: 40

Ostranenie.

Seth Price 15:42

Because again, I'm going to transcribe those and it's going to require a tremendous amount of effort. I'm not going to make you spell it out loud, because it would be embarrassing.

Scott Erickson 15:45

I can email it to you (laughs)

Seth Price 15:48

But I know that that word is not in the book, because I did not read that. And if it is, I missed it.

Scott 15:53

It is not! No that's a podcast appendix.

Seth Price 15:59

That's a 25 cent word, we're gonna need to keep it at nickel and dime sized words. I'm the type of speller that Microsoft Word or whatever the Mac equivalent is, you know how underlines and like green and red. I'm the one that when you right click it, it basically says I know every word in the English language and I have no idea what you're going for here. Like I know all of the consonants and all the vowels and you’ve really screwed up.

Scott Erickson 16:22

You just gotta scroll down and go “ignore spelling”.

Seth Price 16:25

Yeah, I said that's a word. Take it. Um, so you talked about familiarity twice in the last 15 minutes. And there's a part towards the beginning of your book. It's actually the only sentence that I underlined because I don't…I like familiarity. But I also have been dealing a lot internally with the concept of wonder. And mostly, because I've had to find things to ponder as I drive to work 40 minutes each day, and I drive over the Blue Ridge Mountains. And I watch the sun come up, and I watch people get in wrecks, because they forget that you need to have your windshield cleaned or you can't see when the sun comes up.

Scott Erickson 17:04

Oh man.

Seth Price 17:05

Yeah, every day, every single day. You say, like literally on one of the first pages;

Familiarity is a helpful tool but familiarity, kills wonder.

And so when you say wonder what are you saying? Because wonder and incarnation. Those are two words that we don't use. I don't think in the way that you're intending them in this book, like we say wonder like, “Oh, I wonder why”. But that's not what you're doing here. So what is wonder? And why is familiar to the inverse of that?

Scott Erickson 17:33

Yeah. So that whole conversation is actually from a live show that I have called Say Yes A Liturgy of Not Giving Up on Yourself, and it's dealing with the voice of giving up. What happens when a dream dies? And what is on the other side of that, and why is there this voice of giving up preventing you from moving forward? And so it's a whole performance about that, which is actually my second book with Zondervan. So I'm currently like transcribing that now. So even though I'm like promoting another book, I'm like, in the midst of writing another one. So it's like a nod to a longer conversation that I had and I tried to explain it as much as I could in an introduction, but I don't go into a lot of it.

But here's what I started to understand because wonder is actually a really helpful mental health tool for me. As a person who dances with depression fairly often and just overwhelming sadness and some hard days. Like, I've had to develop a pretty hefty toolset to just make it through life at times. So wonder is one of those. So here's how I describe wonder wonder, okay, our five senses are taking in way more information than we could ever possibly know, or imagined. And what they're doing mostly is creating a narrative that is, “Am I safe in this moment or not”? It's our one of our highest priorities for narratives is safety, like just am I safe and able to survive. All of that, we also have these other narratives that are going on that are like deeper about identity and who I am and what I'm capable of doing. And those those came from what we learned between like one and seven years old, how we learn to survive in the world. We are people who are embedded with narratives all day long, we just we have ongoing narratives, some are helpful, some are not, and maybe a lot of them we're aware of, and maybe some of them we aren't.

And so I would say a lot of like unhealthy places we find ourselves is because we have pretty negative narratives that are harming our lives. I was doing a lot of therapy. My therapist was like, write down the narratives, your self talk, all this stuff. And I started wondering, I was like, okay, I see I have these narratives, but are there ever moments I don't have narratives. And I realize there are and we call those moments of wonder. Wonder is when you sidestep the narrative you're in and you're just present. You don't really have a narrative about the situation. You're just there going look! I can't believe that. This is happening. This is amazing, right?

And I give examples of like going camping with my wife and having to wake up early in the morning, like at 4am to use the bathroom and we came out and we were in one of the least light polluted places in the United States in Idaho. And the stars were unbelievable. I'd like never seen…I've never seen that many stars in my life. It just took me out of everything. And I just was enraptured with what like the wonder the beauty of it, right or surfing. Like there's all of these things that are happening or in nature, these moments happen, where you're just like, out of the narratives, and you're just there, and you're just present.

And I went through like all these kind of moments of wonder. And what I figured out is, the common denominator for all of those was me. Because wonder is not an exterior destination wonder is this interior filter that can come up and I can view life through. And what I think is happening in wonder is that our narratives go away, like something new is happening, or we're unfamiliar things. What I think familiarity does, is familiarity is a great survival tool, it figures something out and it categorizes it and goes, this is what I should think and know about the situation, this person, this thing. So I can move on and focus on other things that are more scary.

So we just like categorize and put it away. So the act of like defamiliarizing yourself this ostranenie, like every day you could just what what I say is like a way to get into that wonder filter is just when you find yourself bored, just go well what don't I know about the situation right now. But and just look around and be like, What don't I know, I have a giant plant right over here. You can't see it. But like, what don't I know about how this plant works? Or how these computers work? Or who made this microphone? Like who is the guy who actually or woman who actually touched this microphone in the Blu shop, you know, and what's their story? And like, who made you know, like, all of a sudden, like you can if you just start asking, I guess wonder is akin to curiosity. It's just like, where did all of and then what about me? And what about you, and all of a sudden, like, because I just have these narratives happening all the time, that are helping me survive, but they can kind of desensitize me to the amazingness of life around (me).

And I think this is what like, maybe drugs do you in some way or practicing not attention but mindfulness has like Thich Nhat Hanh has progressed and other great faith leaders, you know, these kinds of things of like giving attention. Even like Mary Oliver in A Summer’s Day, like,

I don't know what prayer is, but I know how to pay attention.

You know, like, it's that kind of, it's that kind of thing. So that's when we talk about wonder in in Christmas, you know, like the wonder of the season all that stuff. I think what has happened is that I've become so familiar with the story, that I stopped paying attention to it. And that's where I was like, I want to de familiarize myself with this story in a really long side track to come back to Advent. But that's what that like little few sentences is. It's this larger conversation I've been having with life and myself.

Seth Price 23:19

Well, it's also helpful that you got all this stuff packed in there, because you're apparently writing another book. And so I'm sure all that's bubbling there. I did not know you were writing another book, I kind of figured when someone releases a book, they're like, alright, I'm done for a few years. I'm so sick and tired of this.

Scott Erickson 23:35

Oh man. I'm thinking about that after this one. I'm like, I should take a break. But I have like a third one in the cue.

Seth Price 23:40

Did you sign a multibook contract, is that what they did to you?

Scott Erickson 23:43

So when I we were negotiating with a couple publishers and I had three books on the table, but like Zondervan wanted two. And then this other one wanted a different one of the ones but another one. I had like three books and like one publisher wanted two and one publisher one another, two. And so I went with one. So I have this third one that's there that's about other things

Seth Price 24:10

So what's it about if you can?

Scott Erickson 24:13

No, I can. Somebody will probably take this idea and beat me to it and that's great.

Seth Price 24:15

Oh well then don’t say it.

Scott Erickson 25:17

No it’s ok. I’ve been working on prayers for depression. I've been working on like a not a cure, not a not a religious like you don't need to go to a therapist, just get Jesus and your depression will go away. But I've been working on like a spiritual companion to the season of depression you may find yourself in. So yeah, and I've been just making that stuff for myself. And then I shared some of it and people were like, we would like to see that as a book.

Seth Price 24:43

I think I said something similar to this the first time we talked, I've read this book twice. The first time I read it, because I've had it, thankfully long enough to do so twice. I just did each image for 25 days with no words period. Just thought about the image. And that was fun. And then I did it with no images only the words for 25 days. And I did not like that. I don't know why, though. I'm curious as an artist, (Scott laughs) like, what do you think art motivates or moves into people, especially when we're talking about faith and religion and deeper things that words just are unable to communicate? Okay, but

Scott Erickson 25:29

Okay, but can I come back to that?

Seth Price 25:31

Yeah, okay.

Scott Erickson 25:33

I want to ask you about that. Um, so what I think is helpful to like, what visual art and I guess, any kind of art form can do? Like, let's preface this way. And I think I say this in the introduction, which is, a great question to ask of art is what does this mean? That's fine. But a better question is, what is this pulling out of me? What is this excavating out of me? Because what art has the capacity to do is get in touch with your deepest, inner, conversation, which essentially, is what prayer is, this is actually an introduction to Prayer 40 Days of Practice, which is like, where Justin and I were like, we're not giving you a book of prayers. We're just giving you a book of excavation tools. Prayer is the ever present interior conversation you're having with God about the life you find yourself in. That's what prayer is.

And these words, and images, are helping excavate that out. So you can see actually what you're saying or what you're thinking. And that's what I would say, like visual art does. I might have an intention of what it means. But like when you view it, because you have no context for what it is, outside of my book and stuff like that, you're gonna bring your own life experience to help decipher what it means. So then all of a sudden, it's engaging your own personal story. And then you're a part of this image.

Whereas the words, you may feel less of an excavation tool. Because you might be like, this is Scott's voice, not my own. You know, like, sometimes, unless it's poetry, sometimes you can put yourself into it. But often, when you're reading a book, you're reading it as like, I'm listening to somebody else's voice. I'm not hearing my own voice. But images allow you to hear your own voice in it.

So I think that's where the strength in that is. And maybe that's when you say like, I went through the images. Great. I just went through the words…ehhhhh…lacking, because I think what you lost, I would say is maybe what you lost was your own voice in it. You just heard my voice. And I think that's what the images help with is bringing you into the story as well.

Seth Price 27:41

Yeah. Yeah. don't hear me. This. What crediting your voice at all, that’s not what I’m intending to say.

Scott Erickson 27:46

No, no, yeah, no, that's fine. Like, I think I’m you know, I'm on my way to be a great writer. But like, you know, this is my first solo act. And it's good, but like, it's no Hemingway, or…(laughter) it’s no James Joyce!

Seth Price 27:59

I mean, you're almost on the New York Times bestseller, though. So what um, what was your question? You said you wanted to come back to it when I said that?

Scott Erickson 28:10

Yeah, what was that experience for you? Why do you think why do you think though, without the images was less enjoyable.

Seth Price 28:41

Over the last few years, I dove into the enneagram and so I'm a five. And so when I read words, I can't stop recalling other things that I've read. And I'm always terrified that I have no original thoughts. Which is why like, I do a few things like I don't listen to any other religious podcasts at all, because I'm terrified that I'm going to I don't….know how to say that well without sounding humble or arrogant, or both at the same time. I you know what I mean, like, I don't . And I went to school for art and I just hated doing it as a career. And so art speaks to me too. And I play music and like sometimes I just play with nothing and so art speaks to me in a way that words don't but words hold my attention in a way that; like I devour words, almost like an addiction. And so for me when I view art, any art, like I intentionally have to slow way down. But like like the most powerful image in the entire text, and I don't remember which chapter it is without cheating; it's maybe like 15 or something. It's the woman where obviously she's bleeding but the blood is gold and she's holding a child like she just birthed a baby…

Scott Erickson 29:29

That’s my favorite too!

Seth Price 30:00

But for a lot of reasons. I'm just not going to put out on on a podcast, we can talk about it afterwards, I just it deals with my son and my wife. But the way that you use the color gold and all of your art is usually signifying, like almost like iconography in the way that like the Eastern Orthodox Church would do. And so I read them I for those I would drive to work and then I would look at the image, pray for a few minutes, and then go into work.

And there were some days I would walk in, like just a wreck, like I am not prepared to do anything. Other days I would walk in. Yeah, yeah, like the one with I think it's a goat or a sheep, and it's ripped apart and there's a skull in the center. And then there's like lungs or a heart just from memory. But the vapid stare on the animal. I think that's the only one where the end was like literally staring dead on like the eyes follow you. Unless like the lion is looking forward and the other ones doing something that it was so yeah, they always pulled something out different but none of them again, Christmas(y). But all of them let's argue they were they were maybe birthing something inside. So and then the words I like, like, I love your sarcasm, I love that I could drop on Meister Eckhart quote, which you would then think that you're not going to, and then you do. (Scott laughs) You said that's your favorite image as well. Why?

Scott Erickson 31:25

I think it's because so Parker Palmer, do you know him? Author and Quaker thinker and great, great man. He, in his book Undivided Life, which is actually the audio book is just a conversation with the person who runs the audio book company that did it. And she just like, asked him questions, and he just talks. It's really amazing. But he goes

at the center of my faith is a paradox, which is Jesus is God and man. And a paradox means two opposing truths that exists in the same space.

And he's like,

there's no way to answer those opposing truths, the only thing you can do is enter into the mystery of it, and let that transform you.

And when he said that, I knew I could find a home in Christianity still. And I think what is interesting to me about a birth, let's actually start with like a sunset first, What is the sunset?Like, you can go to a sunset, watch a sunset and go, this is just a star that we orbit, going below the horizon line of my planet, and the light is refracting off the atmosphere causing this color spectrum that's engaging and wonderful to look at. You could like decipher what's happening. But you can be also overwhelmed by the beauty of that color spectrum and go what is happening‽ Right! It's two things at the same time. It's like explainable and not explainable. And a birth is the same thing. Like we've had enough biology and you've witnessed births too where I was, like, I could write out medically or, you know, I don't know all the Latin words, words that doctors do. But I could write out like, what's going on, my wife is a doula for a while. So I could probably get a few extra like vocab words that I could write out what’s…

Seth Price 33:23

Don’t say them. I'll have to transcribe them. Don't say them.

Scott Erickson 33:25

Like mucus plug. (laughs)

Seth Price 33:28

Oh, that's fine. I thought you meant something in latin.

Scott Erickson 33:30

But I could like, describe what's happening. But also, there's this moment in a birth where you're like, it's almost like an inaudible like lightning bolt or something. Like, in that chapter, I write about my daughter coming out of my wife. And the doctor was on one leg, I was on the other and holding my wife's hand at the same time. And then like Elsa, named before Frozen, came out. And she just, like, popped out. And I looked at Holly and we both just burst into tears. Like we weren't in control of ourselves-it just was just this reaction. And it was like, I understood what was happening. But I also didn't at the same time. Like I understood that this thing that had been growing in my wife was emerging, but also there was like this inaudible symbol clang and trumpet announcement and proclamation of hidden angels saying a new life entered the world, and I got to witness it, and it wrecked me. And every birth has wrecked me.

Like, what's happening there? I know what's happening and I don't know what's happening at the same time. Yeah, and it's like a little moment of paradox that I've witnessed three times. I don't know if you can watch somebody else's birth and have the same meaning. I mean it is really poignant when it's your own children. You know what I'm saying? And so that moment, like you're saying, the original image is in red. I don't want to ruin it for you. But the publisher only said you can only have two colors black and gold.

Seth Price 35:06

Yeah, but you use those colors everywhere, sometimes you throw in a blue.

Scott Erickson 35:09

Sometimes throw in a blue, the next book will have blue instead of gold. So I couldn't use red, but I was like, oh, gold is a fine substitute. Because that blood is part of the sacredness of it. It is this like, it is this like, this just came out of me. But how wonderful you know, and I love the vulnerability of that moment, that image portrays the nakedness, the fragility (and) there's also like strength. Like, dammit, women's bodies. Holy cow! What can they do? Whoo!! Amazing!

Seth Price 35:47

Yeah. Um, do you think many Christians are prepared for a Christmas advent filled with a realistic expectation of the gore, and brutality, of birth and incarnation? (Scott chuckles) Like, and I use those words intentionally? Because, like birthing, incarnating, giving life. So you talked about you being there when your kid so I was like, when all three of my children were born? Like I don't think Christians, I think for the most part, think about the Jesus only on the cross, and they don't, or the Jesus, you know, flipping tables, or you prooftexting Jesus in a way, but I don't think that we actually give much thought or consideration to the vulnerability like you said, and the brutality, that really is birth, like any birth; like birthing of really anything, not just humans, but birthing anything, either metaphorically? Or do you think that the church or Christians, for the most part are even prepared to deal with that thought or that concept?

Scott Erickson 36:54

I mean, maybe. I think there's probably multiple opinions, but I think there are people really comfortable with the sanitization of Christianity. And then in order to belong you must keep with that way of talking about the whole thing.

Like I just posted on Instagram yesterday this guy follows Shaun King, who's controversial in some aspects, but he did it like this pretty honest post where he's just like, I used to be a pastor, and I don't understand prayer. I have been praying. (These) families call me and I'm praying for their people who are sick with COVID. And he's like, and everybody's died. And I just posted and I was like, “this is really honest”.

And then I had a person who's like, I don't like that you posted this. And we had a little discussion, I was just like, Look, if you if your faith can't take critique, it's not any real kind of faith. Because it's, only lasted because of a status quo of like, we have to keep saying this in order to keep this thing going.

I think there's an aspect to the religion of Christianity that has figured out how to talk about incarnation in a really safe way and wants to fight for that. But I would like to think there's a larger segment of really earnest people who want honesty in their lives and who have witnessed the complexities and hardship of life. And that's what happened. Like that was one of the first images I released on Instagram. And I had an overwhelming response years ago from this, mostly from women. Who said to me I haven't really ever seen anything that depicted the realness of what I felt like it being a mom or going through birth. And thank you for I feel very honored that you depicted something that feels really true to that experience. And that as a man who doesn't have a uterus, you know, like, hey, I'm not trying to take any woman's experience.

Like, I don't know what that's like, but I've bared witness as a partner. And I've seen what this looks like. And I'm trying to be as honest as I can with what I've witnessed. And so that felt very successful to me, because I was like, oh, good, because all I wanted to do was give honor to what I was seeing happening. That you were in this mix of like, pain and blood and fluids, and yet wonder and joy and bravery and courage and I mean, just like, the strength that's in moms is amazing, you know? So, yeah, that was it. So I'd like to think people are there might be some, you know, what I had one (laughs) [he] didn't contact me, but I had one pastor contact this company that's doing bulk orders. And he's like, I think I need to return these books because I don't think my church is ready for this.

Seth Price 39:54

For this (book)?

Scott Erickson 39:55

Yeah. And this woman, she's like, I just wanna let you know that this was sent in and I was like, you know what, I think that guy's just scared. And I think he isn't giving enough credit to the adults in his community who could be like, oh, yeah, this is fine. I think there's a lot of, you know, there's a lot of leaders who…let me say this, there are some leaders that should not be leaders or should think through what being a leader means. They're at a spot where they're just trying to survive. And so they're like, don't rock anybody's boat. Just keep this going. So we can pay mortgages and salaries and stuff.

They don't really know where they're leading people. They just try to maintain. And I think the leaders who, and the churches and communities that are using this are like, what we see this is the way forward this year. I mean, I think I'll say it, I think this is if there's an every year for this advent book, it's this year. This is the book for this year.

I think hopefully next year, and I hope it's pretty evergreen for years to come. But for sure, this year, this is the like, that's the thing. Christmas has already come and we're just like, what? Like, again, we're like, Okay, cool. Do you know what we went through this last year? You're gonna talk to me about a Santa's stories and elves. And like, you know, just like, show me a Jesus, who is newly born but looks three months old and has had a bath and you know, like, what's this story?

Seth Price 41:22

That's the TV Jesus.

Scott Erickson 41:23

Like, the Incarnation stories, like a bunch of other babies died, like there was astronomical things. People traveled long miles, rejects got invited into becoming preachers. Like crazy! A woman who was asked to deliver a baby and she was misunderstood by her community and her entire life. There were so many scandalous things that happened in the story.

Seth Price 41:43

Yeah, I have a few more questions. One of them is really just tongue in cheek, because maybe it's the liquor, who knows, but I just want your opinion on the song Mary Did You Know (link will never be added here because reasons) because for some reason (Scott cracks up), and the reason that I'm asking is so I have my finger on the chapter on assumptions. Which is the icon from the the cover of the book, but just, you know, what are some thoughts on this song? Because I hate it. Because Mary does know, at least that's if you read the Bible that in any way, shape, or form. Where are you at with this song? Because this this will probably be the most controversial part of the episode.

Scott Erickson 42:23

Admittingly. I only know like the first half of the verse like “Mary did you know that your baby boy” and then from then I didn't know any other lyrics. Fun fact, though, when I was like 20 and I was like a youth leader at a small little church. During the Christmas show my uncle and I were asked to sing that song. And it's one of my most embarrassing moments in my life. I hated it the whole time. But I had to do it because it was my job. But yeah, so maybe I don't have a lot of content on that. But like there is…we didn't talk about how much we can like swear on the show.

Seth Price 43:03

Say whatever you want to say.

Scott Erickson 43:05

Well, I'll just say batshit. I don't feel like that's like too bad. But like, there is batshit crazy Christian material about Christmas. There is a kid's book about an angel, who God sends to Earth. Oh, no, it's the angel, this is an actual Christian children's book, the angel is becomes like God asked this angel to help with Jesus coming to earth. And so this angel becomes the star in the sky that leads the magic to Jesus and stuff. But then the star falls to the ground and becomes a stone and this angel is stuck as a stone for decades. Until they that stone is used to cover the tomb where Jesus was laid. And so when Jesus resurrects, he's like, “Oh, hey, Tom, the angel it's you!” And the angel gets to be a part of the resurrection and see the whole thing full circle.

That's a real kids book!!!

It's disturbing.

Seth Price 44:07

That's sounds like a bad, I'm the nerd out here, that sounds like a bad Doctor Who episode that's what this sounds like.

Scott Erickson 44:14

(Laughs) It really does. But people like yeah, I don't understand; there's all this kind of like, Oh, that's great. Like, who, okayed that? There's so much in like the Christian film, music, literature industry that people have okayed and I just want some cynical Christians and maybe just some atheists to be in a room and be like, “really?” Really, that's what you're going to release in the world‽ Do you want to give us fodder for like comedy, like the comedian Patton Oswald has this whole thing about this song Christmas Shoes.

Seth Price 44:52

I hate that song, another song I hate.

Scott Erickson 44:54

And he has a whole comedy bit about it and somebody animated it. It's on YouTube.

Seth Price 45:03

Is it good?

Scott Erickson 45:05

Oh, it's so funny.

Seth Price 45:06

I’ll watch that as soon as we’re done.

Scott Erickson 45:07

Yeah. Who at the label was like, send it! We love it! It's all of our theology wrapped up into a song! It’s just crazy

Seth Price 45:13

I'm sure you've done 97 podcasts since this book came out. When did this book come out actually?

Scott Erickson 45:20

October 20th

Seth Price 45:22

Son of a gun.

Scott Erickson 45:22

I know really early.

Seth Price 45:23

Yeah, that's when you know, even the publishers not sure if it's an Advent book, because they would have put it closer to Christmas.

Scott Erickson 45:30

It was really hard to promote, because I was like, this actually did happen. I was like I’m calling it like, people who love my stuff will buy it. But then everybody's obsessed with the election. And after the election, people will be like, “Oh, it's advent and we’ve got to get something. And that's what happened. And that’s exactly what happened.

Seth Price 45:50

So I don't even know where I was segue with that. But that's fine. So I want "Oh, yeah, here it is. So I'm sure you've answered this question. Because this was one of the few chapters where I'm like, yeah, these words could be an entirely different book. And so the image is The Inn. But it was relevant to me, because that is the story of Christmas and the holidays and lack of community that I think that we're all living in literally right now. So I'm sure that you've answered this question before, but I don't care. As people are reading that or looking at the iconography can you rip into that a bit of not having a place and specifically the church, maybe turning away people like, no, you're not allowed? Like, you're already excommunicated from work. You're working from home. Don't send your kids to school. Get the hell out of my church, because there's not room for you here. Like can you go into that just a bit?

Scott Erickson 46:49

Seth you're the only person who's asked me about this chapter.

Seth Price 46:52

Really?

Scott 46:53

Oh, I think Inglorious Pasterds did, but you’re only two.

Seth Price 46:59

Oh, I kind of assumed…maybe it's too controversial. Who cares?

Scott Erickson 47:03

Maybe it's farther in the book than a lot of people got. Alot of people are like “I read the first six”. You know, that's probably it.

Seth Price 47:10

That's disingenuous. Why would you talk to someone about what they wrote if you didn't read what they what wrote?

Scott Erickson 47:17

I mean, thank you for not partaking in the hypocrisy. So the chapter is called Room and it's about that verse that says, “there's no room for them in the inn”. And you know sometimes I just need to preface things. It's a little boring, but I try to make it quick, but go like, here's how this versus misunderstood. Usually, it's because our whole idea of the whole story has been influenced by pageantry, making 28 minute pageant shows with kids who are bad actors. But what we know is that there actually was no inn, there's no innkeeper and innkeepers never mentioned. But the word for inn actually means like a room in a relative's house that was used for guests. And also if you owned animals, you probably for them to not get stolen at night. You may be kept them in there.

So it was like not the nicest room. But that's where they stayed, that's where they got put. And so actually, Mary and Joseph were probably in Bethlehem for a long time. The idea is like, they're running to Bethlehem! Mary is about to pop! They gotta find a place to have this baby and they innkeepers like I don't got any rooms, but you can use my barn. Like that's how we think of it. When actually like Mary and Joseph went to Bethlehem they probably there for a long time. And then the time came where she's had the baby and had the baby. But it is interesting that the author's like, but there was no room for them in the inn. It lets us know, there's some kind of tension. And, but and we'll never know what that is. We don't know. And again, going to this, like, how is this happening now? Which is we all exist in families.

And every family has some kind of built in like this is what it means to exist in this family. And if you don't act this way, or do it this way you get pushed. There might be no room for you anymore. You might not get invited to the family reunion again.

And I really wrote this for my LGBTQ friends. And also like I wrote it for them in mind, because I know a lot of them. One of them just told me he's like, I'm no longer invited to any family events ever. Which is unbelievable as a parent. But even my friends who've deconstructed or kind of evolved or become more expansive and then have gone back to their homes where nobody else did that work. Then they've been kind of, you know, relationally excommunicated from that.

And I wanted to offer a just to say like, hey Jesus came into the world where there was no room for him. But God made a space and God will make a space for your incarnation too. This is built upon the work that Justin and I did with prayer, which is, this is one of the major shifts that's happened to me, is this idea that prayer is not getting God's attention; prayer is becoming aware of God's work already in your life. And then I would say, like, spirituality is not getting God's attention. But spirituality is awakening to God's work already and God's voice and God's presence already in your life. Which is a very different model than I was given growing up because from missions and evangelism was like, none of these people know God, we've got to go tell them who God is!

But I've come to find that that isn't true. That actually, every single human I've met, they might not have a deep conversation. Like, here's the thing, here's how I would say, I discovered that I have a telephone like a doorway to talk to God at let's say, a telephone. I have a telephone, I can talk to God at any moment. Nobody gave me that telephone. It just has always been there. So if I have a telephone, then you have a telephone. I don't need to come and give you a telephone. I could maybe come and be like, hey, do you ever answer the call? Or what are your conversations? Like I can ask about your telephone. But I can't give you a telephone, that's something already given to you.

And I would say, in this chapter, this meditation was going God has already been involved in your incarnation; no matter how complicated that is, no matter how rejected that is, God is already involved in you're coming into the world. And God will make a way for that. It might not be in your family, which is really sad. But strangers along the way might celebrate you. You might be given gifts by international travelers, you know, like, I just kind of take that story and go, those things will happen, you'll find your community.

But one thing that we can relate to, and I talked about, like how Joseph has no lines. So I'm like, one thing that Jesus and Mary and no lines Joseph can give us empathy is that it's really complicated being in a family. And they understand that, and they can give us empathy to that we might find ourselves in a complicated family situation, too. And that's what that is. Because incarnation is interesting, because when I say incarnation, I mean, like, being seen. You know, be from the invisible to the visible, and like certain incarnations are confronting to the way things are. You know, like, I have friends here in Austin, who has a son who has Downs Syndrome, and their lives are, are incredibly difficult because of it. But in a way they would never choose otherwise.

Even though that's a really complicated thing to say. And I remember like, when we were going to having our last child, the doctor came in, and she was like, Oh, well, if we do this test, and we find out your kid has Down syndrome, then we'll give you the options for termination. And we were just like, what the fuck, you know‽ Like, what?

Seth Price 53:15

Yeah.

Scott Erickson 53:18

Like what? Do you want us to bring our friends who have Downs Syndrome children to tell you how stupid you are right now? Like, yes…what? Yes, vacations and life in school. And long term plans are made way more complicated. But maybe joy and meaning are coming through complication. You know what I'm saying? And it's that kind of thing was like, so you turned out not being the gender we thought you were. So you turned out not being the accomplishing son or daughter that we thought you'd be. You know, there's all these like, expectations in a family dynamic. So that was in my own small way it was like discussing that larger dynamic. Is that what came through or what you picket up on?

Seth Price 54:08

Yes, yes. And so I've shared bits and pieces of that chapter with some friends. Some of which are LGBTQ, and they have no place and, or they've been told, you know, you can't be that here. Like, if you're going to be here, that's not coming with you. Like you need to leave that wherever it is that you leave. You can't and the same thing at the church, like you're gonna have to hide this wonderful humanity that you have. Because that's not allowed here. We're not gonna do that here.

But you could make the same case for people's politics, people's view on God, there are a lot of things that get you booted to the hole dug out of rock to keep you out of the rain, basically, So just small aside, so when I married my wife, her aunt had Downs Syndrome. And she passed recently, though she lived a good, a good long while for Downs and she was over 50 I can't remember exactly the age at the moment. And I can remember, I didn't have any context for Down Syndrome before I'd met her. She was the most, she was amazing. She was amazing. And I can remember getting the same question with all three of our kids. And it was one of those things where like, my wife and I both unequivocal or however you say that word when the doctor asked that question, we're like, we only want the test. Like, this is the dumbest question that anyone has ever asked me. Like, why would…similar thing of what does it matter? No, I don't want the test, nor does the test yield any impact on anything, period. Life's hard anyway. I mean, all of my kids are able bodied, overall, well, and they all come with their own challenges. So I mean, you see the hair loss and it wasn't like that before kids. So last question, when you try to wrap words around what God is, what do you say?

Scott Erickson 56:12

I mean, I really like the Paul Tillich quote, which is,

God is not a being like you and I are beings he's the ground of being, the depth of being.

That's a way to give some understanding to a mystery that is as Rohr would say, not unknowable, but endlessly knowable. Um, so I don't know how to describe what God is. If I had a quote that came from me, this is what I would say. And it's in the book was just like, I don't understand how sovereignty works. I just know that God's really really, really, really, really, really, really, really, really, really detailed. And anytime I'm awakend to that intentionality, I'm filled with wonder.

So how would I describe God? Is really intentional. And that's what I'm always looking for.

Seth Price 57:11

Thank you for that. So, Scott, this is the part where we get we plugged the things in your professional at this now. You have to be by now. So yeah, send people to the places wherever and for lazy people that are just going to that a lot of I think a lot of people just hit stop right now. So they'll be in the show notes or whatever. Where do you want people to go?

Scott Erickson 57:31

I'm on social media, but mostly Instagram. And that's @Scottthepainter. All one word, three T's in a row. And my website is ScottEricksonart.com. Honest Advent, everything you need to know is at honestadvent.com. And you can find all the information.

Seth Price 57:52

Fantastic. Scott, thank you for your time tonight.

Scott Erickson 57:53

Yeah.

Seth Price 58:19

The years almost gone. Thank God, right.? Thank the Lord. However, I wanted to welcome Chris to the Patreon community, you sir are a blessing as are all of the people there with you. Last couple weeks before the end of the year here if there is anything that you want from the store, make sure you type in promo code FU2020 because that is going away when 2021 is here. Very special thanks as well to Peter Larsen for his music in today's episode, but you'll find links to him in the show notes as well as on the playlist for the show. I really hope that you're well that you are blessed.

We'll talk soon.

We Sang a Dirge with Lo Alaman / Transcript

Note: Can I Say This at Church is produced for audio listening. If able, I strongly encourage you to listen to the audio, which has inflection, emotion, sarcasm where applicable, and emphasis for points that may not come across well in written word. This transcript is generated using a combination of my ears and software, and may contain errors. Please check the episode for clarity before quoting in print.

Back to the Audio Episode


Seth Price 0:08

Hey everybody, I wanted to introduce you to something I think you might like. And so if you're a listener of the Can I Say This At Church podcast, you are probably a person that likes to think about things that you've been told. We don't talk about that in, you know, normal society, or we don't talk about that at work, or we don't talk about that. Definitely don't talk about that at Thanksgiving, or at Christmas dinner. And so, I want to introduce you to Lucas Land, he has a podcast called, We Don't Talk About That. And I'm gonna let you hear a bit about it from him. But I really think you're gonna enjoy it.

Lucas Land 0:48

Are you ever afraid to talk about something? do you avoid certain topics, maybe with certain people? (Whispers) Like your racist Uncle Frank? Sorry, Frank, it's true.

Do you want to learn how to have better conversations, increase compassion and build bridges, not walls.

We don't talk about that with Lucas Land is the podcast where we do talk about that with me, Lucas Land, get it wherever find podcasts can be found.

Seth Price 1:27

The years coming to a close, I want to say so many things. And I'm not going to say those yet because that time is coming. However, I do want to let you know about a few announcements just in case for some reason you missed it. Everything in the store is on sale for 15% off 20% off if you're a patron supporter of the show, and you should be because you should be. Let me just thank you now for doing that. The promo code to get the discounts for patrons you just asked for that. But you should have received that email already. If you didn't let me know and I'll get that for you. But for everyone else is just FU2020. Just type that in because I believe it. I think you believe it. To hell with it. FU2020 at the checkout and you get 15% off whatever you happen to click the button on that you wanted.

I also want to take this time right now to thank people like Logan Kimler for becoming supporters of the show you sir, are a saint, if I had the ability to make you one I would and so join him click the buttons. Today I had Lo Alaman come on the show. Lo is technically if I remember from the episode right not a pastor, and you'll get that joke in a minute. He wrote a book called We Sang a Dirge and that wasn't something that I'm familiar with; it's like a collection of poems and prayers. And questions. Not a lot of answers. Here we go.

Seth Price 3:19

Lo Alaman, we did it. How you doing man? How's the evening?

Lo Alaman 3:23

Doing good.

Seth Price 3:24

For those who haven't been able with to listen we've been going at this now for like a few minutes. And I've enjoyed it already. I should have hit record earlier. And I didn't. And I'm sorry for those that aren't privy to the stuff beforehand. However, man, welcome to the show. Tell us a little bit about you. So you're in Texas, which is just found out I didn't know that. And I want to be real clear. I try to do very minimal research outside of reading whatever I'm talking to you about, or listening, so that I can be as ignorant as possible because I find it makes for better conversations. So tell us what makes you human what makes you tick?

Lo Alaman 3:53

Yeah, I’m a dad, a husband, I like Jesus a lot and in light of liking Jesus and getting paid to talk about him, I'm technically a minister, not like an actual pastor or whatever, because I'm a part of like a Methodist Church that may take like, I have a lot of like red tape for who actually is or is not a pastor. So I'm not a pastor, I just like Jesus. And I get to preach every now and then. And yeah man I’m just an artist, I travel around, pre COVID, just talking about Jesus doing an art form called spoken word poetry, which is basically writing poetry down with some flavor on it and saying it out loud. Which was a cool hobby before, but it's kind of turned into a ministry of its own, which has been a huge blessing to life in my family.

And yeah, man, it's a fun. So things that made me tick would obviously be writing I like art. I like rap music. I'm more of a basketball guy than a football guy; previous conversation that you guys are privy to we were talking about football, much more than NBA dude. Born in LA so I love the Lakers, but I'm a real Lakers fan, so I don't like LeBron. Which is like a weird tension. (Laughter)

Seth Price 4:56

What is a real Lakers fan?

Lo Alaman 4:58

Ah man, that means you weren't a part of the bandwagon you were down those four year we sucked. You were you were still on board. You saw the farewell tour with Kobe and you watched every game and you saw us lose a bunch but you were there. Yeah, man like I bleed this stuff. But because of that, remember, like, ‘08-‘09 they were doing those Kobe-LeBron and they're pitting them against each other. So having LeBron wear a purple and gold right now…it's just, it's not normal. It's not normal.

Seth Price 5:26

Come on. That didn't do it, man. So what is technically a minister like? That's like, so you're applying for a job? And they say, yeah, technically you're a minister. But we're not going to call you one. Like what does that mean?

Lo Alaman 5:39

So I grew up I grew up in a context different than what I'm currently working in. I grew up in a an all black church. Small CME. In Mississippi.

Seth Price 5:51

What is CME?

Lo Alaman 5:53

Ugly history, used to be the colored methods Episcopal now is the Christian Methodist Episcopal. So it was a part of like the Methodist Church that broke off because blacks and white folks couldn't do live together well. So there's that. So my church I grew up in really, really small with the rural. And if you want to preach and be a pastor, you just be like, y'all want to do that. And they kind of let you. I'm currently serving in a much larger denomination that has a lot more, kind of, unity around what you can cannot do without going to like seminary without you know, being ordained. And so I have no desire for ordination. I have no money for seminary, or a large enough interest and invest the time. Yeah, I get to do all the same stuff. Except for I can't marry you, bury you. And I can't bless your bread and serve you wine and give you the blood and body of our Savior.

Seth Price 6:45

So in our church will let deacons. I don't say the words, but they're the people that are there when you come by in a not prepared in a pre COVID world, which is a weird way to timestamp the world. But I think that's going to be a thing for a long time. Like it would be our deacons consoling but we're in a cooperative Baptist Church. So I think we do what we want is Baptist. Like we literally like Yeah, we do our own thing. We do our thing to do your thing.

Lo Alaman 7:11

Cooperative Baptists. I've not heard that though?

Seth Price 7:12

So the acronym is CBF. I think there's a big chapter, maybe that's the right word alliance, group in Texas as well. So there's like regional Baptist churches that are all affiliated and a lot of them are basically the ones that were like yet we will have a female minister you know, because Phoebe's a thing, you know, in the Bible and some of these other things. In fact my preach the other day, he was talking about something and I think it was Corinthians and Paul started talking about, you know, like, I told this woman, you know, and she was basically, you know, like, when you were at her church, at her house, and she was ministering to you. Like she said, I'm also not gonna go forward. And so he's like, I'm actually just put all of that women can't be ministers thing, right to bed. And then he just kept on going. Actually, it was, I thought, I was like, that was a message right there. Like I needed all of that.

But he was doing this whole. Some of you support the president. I know this, because you've told me some of you can never and I know this, because you've told me. He just kept doing the binary things like, and now I need you to hear me. But all of you, I need you to listen for a minute. I know this, because you told me is really good message. Yeah, it's on. It's on the internet, somewhere. Anyhow, so the CBF they basically broke off the SBC and basically said, Yeah, we've got our own issues. Don't miss hear that every congregation got their own issues. every church. And then they don't really govern us, we mostly just kind of pull money to do some larger national type stuff. But yeah, they basically broke off the CBF. And then just a little more bad blood, or whatever it's called.

So even in Virginia, there's another organization underneath that, that is more of a local as opposed to statewide thing. And they're basically making us choose from what I remember, from the business meetings of you can't support any homosexuality at all, we're going to need you to take a firm stance. And based on your stance will be whether or not you can still continue to be in this organization. But we still want you to send your money. (Lo laughs)

And I'm pretty sure one of our business meetings soon is going to be one of these. What are we doing? Because, you know, at our church, you know, we've got many homosexuals in the church, some of them we've allowed to preach, and they had been powerful sermons. Like, they brought a word and it matters. You know what I mean? Like it matters. Anyway, now, I’ve brought us to an entirely different conversation. That's the danger of not scripting these questions.

Lo Alaman 9:44

I love it! I love that we're talking about that. That conversation is real bro. That's kind of why I try to lean into like that, even your passion kind of like, I don't know how to exist in the binary. The beauty of artistry is, like, I get to kind of be in that in between. And kind of open eyes and say, “Hey, don't forget nuance. I know this is ugly, but it's also beautiful, and that is beautiful, but that's also ugly”, you know?

Seth Price 10:06

So I wanted to just set that. So you wrote a book, which for the life of me, I can't figure out who's publishing this book. I even tried the Google and I'm usually good at the Google. It doesn't really matter who's publishing it. I'm thankful for them reaching out. However, the book is called, and I got it wrong a minute ago, and I don't want to get it wrong again. We Sang a Dirge correct? We Sang a Dirge Yeah. What the heck is a dirge? That's not a word that we use. It's not on the radio, is not a genre, well it is…but you know what I mean? Like, what is a dirge?

Lo Alaman 10:35

Yeah, so that line is a direct quote from Jesus in Matthew 11. And he's basically calling out all of those who are apathetic, but yet calling themselves followers of Yahweh. And he's pretty much saying, like, you know, the church of the kingdom is a lot like you people, except for when the kids cry out and they want you to celebrate and to hang out with them-you do that. You see (that) they're happy to rejoice and you celebrate the things that are worth celebrating. It's like when kids are crying out singing sad songs, a dirge, which is a funeral song. The little kids are singing this funeral song. They're mourning something has happened and they're devastated. They've lost something that is deeply personal to them. And you walk by and you don't mourn, and you don't cry, you don't lament with them that's when you miss the kingdom.

You have every ingredient for the kingdom of God except for you don't know how to sing and dance, know how to cry when it's time to cry. And so yeah, Jesus is basically saying there's no room for apathy in the kingdom of heaven. There's no room for that cold hearted, I’m so for my opinion, I'm so for my stance or my view, that when I see somebody of another stance and other view, I can't empathize. I can't cry, I can't dance.

So yeah, the line that Jesus gives there “we’re saying a dirge” is like a bunch of kids crying out in the market square. And that, to me, feels a lot like growing up in a black church. And then bringing all that into kind of like working in a white church. Like holding a lot of burden and lament and angst that I don't always feel welcome to share. And when I do share it's an awkward moment. Like, I just definitely ruffle feathers. And that's not always great. So yes, I figure out how to live within the tension of being black and Christian and an artist. And I feel like those three folds are who I am publicly to people. And most of my circles can tolerate about two thirds of me. I can be black and Christian, Christian and artist, or artist and black. But all three aren't always welcome. I think we all kind of strive towards a place where we can be fully ourselves. And this book is just kind of like an outcry of that.

Seth Price 12:39

Which one do you think is more often silence? Which two of the three are dominant?

Lo Alaman 12:44

It depends on where I'm at. I was born in California, but I grew up in Mississippi. So again, vastly different spaces, vastly different experiences. And so my California family thinks I have a southern accent. My Southern family thinks I have a California accent.

Seth Price 13:01

(laughter)

You don't have an accent at all!

Lo Alaman 13:03

(through laughter) I have nothing, literally nothing!

But that's the thing right is like it depends on where I'm at. People can tell that I’m “other” you know? Which I feel like is most of the black experience in general. I think all of us in some capacity, feel it. But that's definitely black experience, at least mine.

Seth Price 13:21

I want to talk about your book. And I'm probably going to jump around a lot. So I've got I hope you've got it in front of you or memorized, probably both. So the book, and I'm going to try to summarize some of it, I wasn't really ready to read it. Like when it came, (at the beginning), I don't know who this person is just being honest. And most people don't know me. And I think that's probably for the better. And then as I read it, I was talking to my friend, Josh, just tonight, because I reread the very first part. And I was at my son's karate reading through it, because I want to make sure that I wasn't 100% ignorant for this evening. And I was rereading back through the bookmarks from a month or so ago when I first started reading it. And I was not…like I set it down. Like I was not prepared oftentimes. Enough so that the lady sitting next to me kept looking at me like, because I was reading it on my phone, and I kept doing the whole just, you know, (mines frustration) just doing that whole thing.

So one of the things I wasn't really prepared from so the book is like approaching the lens of like #BlackLivesMatter and like just a bunch of things that I wish we really didn't have to talk about. That shouldn't be a thing and you referenced it earlier, I have no idea if we were recording like I think we were, about you know, oddly enough, you know, oftentimes you get black churches and white churches or white and black people in the same church and they just can't seem to get along and that's ridiculous and stupid. But I wasn't prepared for it and I'm gonna say his name wrong, Jeremy Mardis, I think.

First off, I was ashamed. I didn't even know who that was. I had to Google it. And then as I read it, I was like, uhhh, and I think I forget even the line you use you're like “But where was your all lives matter when this happened”? Can you…I don't think most people will know that story. Can you kind of…that was the first set (the book) down. I'm like, “Who is this kid”? And I feel so convicted? Like, why don't I know this name? And all the other names I know, why don't I know this name?

Lo Alaman 15:12

Well, and that's what the artist is trying to do is to pull out the, the conviction of not knowing him, but also the assumptions you have about them as you read it. But yeah, so So Jeremy Mardis is a little boy, six years old, who was killed by the police while he was sitting in the car with his dad, his father got into an altercation with some police officers earlier in the week. And after coming from a bar, his dad is pulled over. The police officers draw their weapons. Jeremy’s dad doesn't have a weapon in the car at the time. And they shout some commands at him and don't get much time for him to react to any of them. And they just open fire. The dad lives, the dad survived the shooting. A little boy was six shot five times and he died.

And the story is hard. It's a hard story no matter what. But when I heard it, when I first read the story, I was like, this is not unfamiliar to me. This is not a new story, altogether, and then I found out he was a white boy. That it was it was like I don't I mean not to categorize what to do there. So one of one of the lines in the poem is that

“..the curse of the world that already has caskets your size that you die this black boy's death. And I don't know how to how my worldview can fit you in it. Because you're not a part of the narrative”.

You're not a part of Black Lives Matter narrative (but) you're also not a part of that conservative kind of staunch white narrative either. What do we do with you? I hate that his life is a perfect analogy for where I think all of us are but don't want to be and don't want to acknowledge that we are in the space for the genuine mourning that needs to take place in this country. We don't know how to.

Seth Price 16:58

Yeah, I'm gonna quote this to you. And then I'd hope that you can take it further. So you say and I can't even remember what chapter it's in because just to be clear, my notes are in the Notes app on my phone. So I didn't have paper with me, because as you saw the basement down here, most of my paper ends up getting colored on and whatnot. So the only place that I know I can control is the Notes app on my phone. So there's a part where you say,

for years I've been heartbroken by the church of silence on issues of racial injustice, and its complacency with homogeneity in worship. And you've been studying, praying and waiting for a time when Christians would be ready to deal with this division in our culture, or at least address it where it exists within congregations. And finally, it seemed like we were at a point where these issues couldn't be avoided. And we'd been forced to deal with the mess that we tried to sweep under the rug.

Can you kind of give voice to what you're talking about when you say “issues”? Because I ripped that entirely out of context? And then kind of how we swept it under the rug? And kind of the implications of that?

Lo Alaman 17:59

Yeah, yeah. So I feel like when things happen, we call them issues, I'm gonna give different names of them as we go. When there are moments that kind of highlight systemic inequalities, and I'll call them inequalities intentionally; moments that highlight that there is something going on in the undercurrent of how we have dialogue around race. When things happen and like Paula white says the N word, or a police officer kills a black person, the response is typically, these are black issues. And that narrative is really damaging for all parties involved, but it's damaging because it one assumes that we were one before this happened. And then now that this has happened, the onus is on the victims to fix the oneness that's now been called into question. And so it's a weird kind of dynamic that I’ve felt my entire life. I feel like those around me have felt for quite some time.

And so yeah, there has to be some point where we can have conversation about this is what this is-elsewise language like, you know, systemic racism or white privilege-those are always a trigger words to a side that don't think there's an issue already. And for those who very much believe that there's an issue by and large minority communities. Those issues can seem like why are we just now talking about it? And so when I say issues being swept under the rug, I mean, I grew up in a town where I knew where I could not go. My uncle was a Sheriff in Columbia, Mississippi, and there's a town right next to Columbia city Baxterville, where we legit could not drive at night. When our football team would go play football and Poplarville would drive through Baxterville. And they would hang like little stuff monkeys in their yards, and make it clear that our bus couldn't stop there.

And a lot of folks like to fantasize Mississippi as being this like exception. And I grew up there. I know Mississippi has some issue, but it's not just there. What's wild about that is why they maybe sweep this under the rug is that there are so many churches within that town that recognize what they recognize. They see the same thing I see. But because we are, in some ways, these are kind of taboos or just like they it is what it is kind of thing, it's rarely addressed or talked about. And so I think a lot of black people bring a lot of trauma to these conversations. And there's an expectation for that trauma to be, you know, compartmentalized in a separate place, and then have like, you know, healthy dialogue around it. And I think a lot of white folks bring a lot of a estranged reality and estranged perspective on what America is. And I would say, even a fascination with the idea of America as being this holy place, this clean place.

And it makes it really weird to have actual dialogue. When it does happen I think it's a window into heaven; I think it is beautiful. But I don't think it happens nearly as often. And so when Ahmaud Arbery was killed when the Breonna Taylor’s murder was brought to everybody's attention, and when Georg Floyd died, all of a sudden in the span of like, two months, that I had just moved to a predominantly white church family, white neighborhood, and it's during COVID. I haven't met these people yet.

And so I would hate to wear my lament that open in front of white folks I don't know how they're gonna receive it. That's actually what started the writing of the book was, I feel like I want to be as hurt and broken outwardly as I am in inwardly and I don't feel safe to do so. I don't know if my livelihood will be supported, which is really strange as like a minister, you know? I don't know how my livelihood will be supported with me being hurt.

Seth Price 21:35

You were talking about you. You listened to an episode prior on lament. And the reason I don't know which one that was, is because I've done that topic five or six times. But I remember the first time that it came up was with Professor Soong-Chan Rah. And he got a line in there. And it stuck with me since he said two things. One was about immigration and how they how it goes with the church. And the second was, he's like, we forget that like 78 or 77, or something percent of the whole Bible is all lament. And he's like, we read like, the 30% that isn't and we're like, “Yay, we did it”! But he's like, the rest of it is all like how long? Oh, it still sucks. You know, it's it's books like Amos and all the prophets being like, you still missed the point. And so I don't hear your worship, which has become like, Amos 5, you know, 20 through 25 or so has been my scripture for the whole year.

So, yeah, that Jeremy Mardis bit there, the line that got me the most was where you say

welcome to this ugly club of names grieved only by us and by Heaven.

And that was the part where I had to set it down. I don't know. Like, I'm sitting there looking at all these kids. And I have a five year old and an eight year old and yeah, I just it just hit too close to home. I don't like to be emotional. And that's your fault. You did this. You did this.

You talk about playing games with your family. You talk about house rules. And this was just because I like sarcasm. So you talk about the game of Boston, which I haven't played since college. So I'm curious, not Boston, you talk about Spades. Which Boston is a thing you can do in there see I already did it wrong.

Lo Alaman 23:13

I’m tracking with you.

Seth Price 23:15

So I used to be really good. So I'm really curious how often were you able to go Boston when you're playing house rules?

Lo Alaman 23:19

Wooo! I’m not the one you want to play with man!

Seth Price 23:21

Oh, so like you’re not able to go Boston or…?

Lo Alaman 23:24

No! You don't want to play against me. (laughter) So we have a thing in my family where like the poem is called House Rules, but it should be called like trash talking. Like that's like our love language. You know? My freshman year in college, I came in, like knowing how to play cards. And the trash talk…like I would spend nights 2am in the morning, I'm still at Waffle House playing Spades with friends. Not gonna be doing homework, you know, probably should be studying.

Seth Price 23:59

Yeah but it’s math though, it is math.

Lo Alaman 24:00

Come on, man. Yeah, I'm that guy with some spades, my guy. I’m that guy.

Seth Price 24:05

I can remember when I learned the concept of Boston, my dad and mom were teaching it to me. And he's like, yeah, but it's not really about getting all the tricks. It's about humiliating of the person only so that they don't have the confidence to like, I'm gonna go three. You sure you're gonna go three? I'm gonna go two. That's what I thought you're gonna go you know, kind of thing keeping your place. Yeah, yeah, we both know what's happening here.

So, I want to talk a bit about social media because I like how you approach it. You begin a poem talking about keyboards clicking and clacking, and I'm gonna badly paraphrase it. But towards the tail end of that you say that

arguments don't work and what we need to have instead is a generation filled with the Spirit of God.

And that's a word at least in my denomination. We don't use that often, like Spirit of God. Yeah, we don't put hands up when we sing. You put your hands down. I'm uncomfortable because your hands are not down. I think honestly, the fact that we can't sing because the COVID people are even more comfortable, like, yes, it's a concert. We're doing this. So can you talk a bit about that like talking about black lives matter? Singing a dirge missing the point of the whole party and celebration that Jesus talk about with the kids? And like, how we do that in social media? And what are you getting at when you mean Spirit of God? How does that all kind of go together?

Lo Alaman 25:26

Yeah, so I'm gonna give a nerdy theological answer and then try to make it make sense.

Seth Price 25:30

That's because you're that's because you're technically a minister.

Lo Alaman 25:33

Me air quotes, you can't see him. So I have poem is skipping yet things in the book. But back in Genesis one, you have the spirit hovering over the Toku wabo, who the chaos, the disorder, and it's like, okay, Gods near chaos. That's cool. That's nice to see. And that word for God's Spirit as the breath, his breath is hovering over chaos, which is a really interesting picture. Next page over Genesis two, you have God's spirit being breathed into the nostrils of a lifeless body. So the chaos isn't there, there's no life in the shell. And the spirit of the breath enters into the body fast forward, and to Zico. And the breath, blows through a cavern of dead things, and it brings them back to life. This idea that death is the absence of breath, the absence of life, and yet God seems super into breathing life when dead things but he's super forward. Like it should, you know, they have Jesus he comes, breezes breath over people's heads receive the Holy Spirit, it's kind of weird thing wouldn't be allowed to happen right now and COVID times. But he does, you know; he does. And then he dies! And he gives up the breath, like the breath of God leaves him, and he's dead dude. And then the Spirit brings him back to life, the breath comes back into a dead body. He's alive again. And then he breathes that life into the church and the church is alive now.

And so things that should not be alive God puts life in them via his breath, it this thing that animates us, that makes us human, makes us alive. And we're all for it. In the black church, when you catch the Holy Ghost, when the Spirit of God comes upon you—you dance, you sing, you cry. Black people, I think are in general are just like, Oh, I think we all have some animated-ness in all of us, regardless of what skin color you are. But particularly in black church, it was one of the few places we could read places, we could gather, and one of the few places we could really hold joy. And so we don't ever hold back in the gathering because that was our place to interact and be fully alive, right?

So what happens is you have people who should be down and dead and stoic and instead, when they're allowed to gather they're calling on God, they come alive in a way that is powerful and vibrant and beautiful. Yeah, for me, I think that I'm so exhausted with trying to convince a dead person, that this is an issue. You know, I'm tired of trying to argue a corpse back to life. I don't have a good track record of doing it. But God does. And so the prayer is that the Holy Spirit and breath of God will start to animate some people whose hearts are a little cold and dead to this particular conversation.

And this is Joel, the promise of the Holy Spirit's gonna come and breathe life into all of us. And we become sons and daughters; we wake up, we get hearts of flesh, you know? I think a lot of white and black in between brothers and sisters who have kind of grown callous and cold hearted to a lot of these issues. Both sides, too, I would say, because when I first started to work for a white church, a lot of my you know, black friends and family are like, why would you go work there? Yeah, and I think there is some underlying tension within our communities and I don't think politics are helping at all right now. But November 4th is coming so that's cool.

Seth Price 29:12

Some context, tonight when we're recording this, the President is having his own town hall because he refused to participate in a virtual debate, which I'll tell you right now. It's pretty easy to talk to somebody on the internet. This is 2020 of all the bad things this is a good thing. So we could be doing and watching that. And I'm glad we're not doing that.

So what do I do with that then? So if I get that, and something I've been learning, I've been trying to do better. And I think I got it from Jared Byas when I talked with him where he's like, you know, just tell me why. Tell me more Tell me and just asking a lot more questions. But I have about zero patience, for racism and for people that can't honor the divine in every single animated thing. Not in just in this world in all of them. And I don't know how to more emphatically say that. That I sometimes can't just hit block or just go off. And one of my friends will say he's like, Seth, you come in like, with like, too many hammers like you suck up all the space, and you leave no room for anyone to talk. And you bring in so much facts that people are like, back away slowly, and then they just leave, which isn't helpful to the conversation. So for people listening that are like, yeah, I feel alive. Like I feel moved to talk about this, been praying about this. I've been reading about this. I've been listening to a lot of podcasts about this. I've been doing this, I've been doing that, you know, I bought your book, I bought drew Hart's book, I went ahead and bought Ibram Kendi’s book, but like, I bought all the books, and I'm doing the thing and I feel “woke”. How do they approach that with their family with their social media community? Because that's become a new form of family, in a way that would be helpful, as opposed to causing more problems?

Lo Alaman 30:52

Well, I think, and this is where I like art for a number of reasons. I think there is a desire for all of us to connect deeply. And this is like, you know, the whole fully known-fully loved thing. We all want that. But it's risky as hell, like, that's a hard thing. You know, I'm saying the moment you start becoming more and more honest, the more you become more vulnerable, and they could love you less, but we’re so wired for, you know, approval and for that head nod, and for that, yes. It's a dangerous business, a dangerous business.

And I think that what art has a chance to do is to not say “this is the fact” it's simply to say, “this is how I feel”. I'm not as patient in the heat of the moment. I'm just not, like that’s the reality, I'm still a broken man. And so when I come to a conversation, and I'm trying to win an argument, I'm speaking fact and the more my facts are not being heard, the more my feelings are getting in it, you know? Like, so now, it's like an amalgam of facts and feeling all together and it's like, none of this is really getting where I'm trying to go. So versus arguing facts in the my feelings get hurt. I simply want to express my feelings.

And if you don't agree with the facts of it, that's fine. But, again, the whole response of the church is not to agree with why the kids are mourning, just mourn with them. You don't have to agree with that; expression, I think is a lost art that because we're kind of moved into this, you know, digital age and information age we've never had so much research to back our own opinions in the history of humanity. You know, it's really hard to get beyond that level of “Let me hear you just to argue you.” if I feel like we're in an argument. So I'll encourage anybody, even if you're not an artist, you don't have to be an artist, but find ways to have conversations that intentionally you cannot win. There's no way that could be a winner in the conversation if I'd say you hurt my feelings. Well, then it's like, well, no, I didn't do this. Okay. My feelings are hurt. Like I am hurting. Yeah, that's me and that ain’t got nothing do what you! You ain’t gotta hold that!

But like expressing lament and that's the thing about Biblical lament, right, is Biblical lament is “I'm aiming all of this frustration towards God”. Like it's towards God; my unrest, my frustration, it's all towards God. Now, there are things I can blame for this too. But I first find myself reconciling my own brokenness, my own pain, with someone who promises he's my father, like he hears, you know, I'm saying? And so starting there, I think whatever comes next is Jesus in John 15 where he's like, abide first be in the vine first. And then verse eight, this is my Father's glory, you bear fruit. Whatever fruit comes with you just inviting in that feeling that motion, that space, whatever comes from that is fruit. Whatever comes from that thing he'll work with that. So I think finding ways that we can just express feelings, and emotion and lament together, that aren't going to win an argument, I think is going to be key to figuring out whatever the next stage of community looks like. Because right now community is in chaos, it is in flux.

Seth Price 33:55

Yeah, who knows what community is…it is where you can be honest, that's what I think community is…where you can be honest. So you used some big words earlier, and I want to make sure so, Spirit of God in the Old Testament in Genesis is ruach, right? Am I saying that correctly ruach?

Lo Alaman 34:12

Yeah.

Seth Price 34:13

Yeah, so a friend of mine, and I forget where I read it. He said that in the New Testament, you know, Matthew, Mark, and Luke, they render to that, as you know, I'm giving up the you know, when Jesus is talking about, I'm leaving and something else is happening. But John is the only one that says I'm now giving you The Spirit, the same word that I'm giving you the same ruach so that when I leave, you can now come alive. Like death is dead, and now you're alive. So if you want to put that in, it's not really in any of the dirges.

But mostly I needed to ramble while I got my thoughts right for for this so you got a word in here about the “N” words we weren't allowed to say. And I debated as to whether or not I wanted to bring this up. Because to be honest, I read this really slow, multiple times, because I just…yeah…so I don't even know how to pivot into it. But there's a part on here; the part that I got is not…and obviously the N word is word but there are other N in here that I wasn't prepared for, like, like the “n” words we weren't allowed to say we’re

no, never, not again, nice day officer, our native language not forgotten. And they're stripped from your mouth, like a smooth mouthed screw

Which just that last sentence-I don't even know what a smooth mouth screw is. Is that a stripped screw? Is that what that is? (Lo shakes his head yes)

So can you go over that? Because that's just…I was uncomfortable with all of that. And I think that's appropriate and adequate, and probably the point.

Lo Alaman 35:40

Yeah! Yeah, it's worth noting that, because we're so used to facts we typically get books that like, and we don't know how to deal with poetry much in our culture these days.

Seth Price 35:49

I agree.

Lo Alaman 35:51

We want facts presented to agree with me or inform me, like that's the point. A book of poetry is to do exactly…I'm excited here it is doing, it's to make you uncomfortable.

Seth Price 36:03

Well I appreciate that. (Lo laughs) I don't know if you can see, like, I'm literally like, I don't…I don't like this.

Lo Alaman 36:08

Yeah, well, and that's the point. It's like, it's like surgery. I think we need this, I think we need this. But it's hard. It is hard. So the N words you weren't allowed to say is a book that I had to pray about, and talk with several of my friends about, white and black, and ask if I should put this in a book or not. And I'll talk about why it stayed in a second. But the overall idea is, especially that stanza you brought up, there are parts of not just my vernacular-parts of my culture-that are kind of taboo in my church, and I don't think they're taboo to God.

Which raises a question about who's wrong here? Is it my culture? Is it God? Or is it the church? Something's not meshing square peg round hole. Somehow, there's not a fit. And so the poem is simply raising that question for you to figure out on your own space, right? Like, I've had to wrestle with this. Whenever I'm around my family that's the word I use loosely; it’s a term of endearment. It is a conversation amongst brothers, and sisters and family as part of our language. And yet, I know where I can, and I cannot say it. And that's fine. That's a part of the world we live in. It's broken. It's janky. Same way, I know what towns I can't go to at night. The same way I know what words I can and can't use in front of white company.

And that for me would be okay in like corporate America, but the fact that I bite my tongue in church is an interesting thing. I say, n*gga, when I pray, like, I mean just me and God and I don't have a filter in front of him because he knows me anyway. You know, like, he knows exactly who I am. He knows how I've been shaped. And so as I explore more about why is this particular word, or this particular part of my culture taboo? You learn that there's an ugly history with the word. But the word is more symbolic of just our relationship in general. There has been some ugly history, I think one of the lines is like, there's a pretty hard fork in the road as we've been journeying together. And at some point in time there became a narrative that we are in a place now and those words were from back when we weren't in that place. But we still hold those words. We don't agree that we're in the same place. You know? And I think as a church, there's been a culture built. Culture is not a hard power culture is a soft power, it's, you know, the way in which everybody is moving. It's the words that we do and do not say. There's no sign on the window that say what I can and can't say. But I know it and I feel it. We've created a culture where if I were to go back home and invite all of my friends who still talk the way I talked two years ago, who still talk to talk when I'm around my family, they would not be welcome in my church. I think it's an issue for what the church because they would be welcome at the feet of Jesus. They'd be welcome with their language! And so yeah, I feel like, I want people to wrestle with the same tension that all black folks are wrestling with or at least acknowledge that we're wrestling with this.

Seth Price 39:05

Let me also say I really enjoy poetry and honestly, mostly, rap music is like my resting music because of the poetry; not the garbage on the radio (though). Like I've been listening to nobigdyl. lately. I don't know if you've listened to him at all.

Lo Alaman 39:19

Dilly yeah!

39:20

Yeah, oh my gosh, like, I just laugh. But you have to pay attention cause there's so many subtle references like this. That's just hilarious. But there's a part in there so you know, getting with that I forget the word you said with the screw me pulled back out yet the “smooth mouthed screw”. But I find it hilarious that about five stanzas later, you basically say

I make a poor handyman. My wife fills my toolbox with a list of numbers to contact professionals.

I mean, let me just say that I just like that play on words because it does connect the two because honestly, you kind of change gears there. When it says number four, I don't know what that stands for. I have no idea what that formattings there. I've no idea why the 1,2,3,4 is there. But let me just say how much I really like. I laughed when I got there. I'm like, oh, see, you see what he did? I see what he did there. What is CP time? Are you referencing Roy Wood Jr, is that what that is? Because that's a Daily Show skit. Do you know what I’m talking about or no?

Lo Alaman 40:13

Uh uhh.. (no)

Seth Price 40:14

Oh, you know the the black guy on The Daily Show. He's like the overweight heavyset guy. I think he was also in The Office, right? So he has a thing where he gets, you know, he put his tie on. And he dials it way back in an educated way. And he'll explain like, um, I was watching one for Columbus Day, I think. And he's like, let's talk about explorers, like the black ones, like the first guy that went to the North Pole. He was black, though, so we can't talk about him. And he just kept on going talking about, but it's called CP time. I think stands for colored people time. I'm not sure if that's how you're using it. So when I read that I busted out laughing because all I could see was Roy Wood Jr. in my head on repeat. What is that? He's never explained it. So what do you mean, when you say CP time like?

Lo Alaman 40:57

It is a cultural reference. So if a black person is late somewhere the assumption is he's moving on CP time, it's colored people time! It's a jab. And so that line of the poem where I think I use it is white people showed up on CP time. So there's an assumption that black people are always late to stuff. And we felt like white folks are just now kind of getting on board with some of the social justice thing. It's like, y'all been on CP time? You were coming! The whole time, you were on your way It just took you a little longer to get here.

Seth Price 41:33

And so that's the reason I bring that up. So that whole thing I think that's actually called And Now What, that's what it's called. And so you say in there,

so is it a movement if we go nowhere, amen to the white friends that have joined in in the prayer line, and amen to the blacked out photos that hang like a curtain over your social media platforms.

And you go on to keep going and keep going. But many, I'm fairly certain, that the demographic of this show and just because of the way the world works, that many of the listeners of the show are not going to be not white, like, and that's a bad sentence. So now what like, flesh that out? Because I felt like a lot of people were like, great. I don't know how to do this. Like, I don't know how to do this at my church. Like literally now what, like so as a technical minister, like now what? That's going to be a thing! That’s the name of the show right there. That's the whole podcast right there!

Lo Alaman 42:29

Technical Minister! I have joked about starting a podcast, I might take that dude.

Seth Price 42:30

You can take it. So I stole the name of this show from my same friend, Josh, that when we were talking about things was like, “you can't say that at church!” and I'm like, “That's mine. That's mine.”

Yeah, and I am never giving him any money for that at all.

Lo Alaman 42:49

The podcast is bringing in the dough man.

Seth Price 42:51

Something like that, yeah. So now what it matters even more. It doesn't matter who wins the election. We got problems. It doesn't matter who wins the election, black people are still being murdered; it doesn't matter who wins the election, qualified immunity still the thing. Like it doesn't matter. Churches are still going to divide people to make it the most racially segregated Zoom hour in the country, you know, because it's not the hour anymore it's a zoom hour. So whatever that looks like for the Covid there. So now what?

Lo Alaman 43:20

So I think for me, I've been spending a lot of time in Galatian 3, and trying to wrap my head around Paul's language there. He's like, you know, there's no more slave or free Jew or Gentile, male or female. And that language, coming from Paul, like, is really weird. Because Paul he's very clear that there are still Jew and Gentile. He spends a good chunk of his ministry ministering differently to them. He thinks that they're still male and female, he even has a thing about what males can do what women can do. And so he doesn't seem to be making an argument that we are now genderless, raceless, or ethnicity cleansed, like he's not making any kind of argument for sameness. He's making a solid argument for oneness.

Now, I think the church has kind of confused the two. That there's an expectation that “Okay, now we are gonna be the same. And get on board together”. I'm like, yeah, but I’m still wired the way I'm wired. Like, the language I use, by and large, is not sinful. I'm still gonna be me, like, I'm still gonna be who I'm who I am. And what Jesus is doing, at least for those of us who believe in like the whole resurrection thing is he's making a new humanity. You know, like, it's his whole thing.

1 John 3, he's like, you know, we don't know what we're gonna be yet. But we know when we see him will be as he is like, we’ll be transformed into whatever this new humanity Christ is that's what we're striving towards. And so there is a desire for a future oneness in Christ Jesus, that I'm all about; any attempts at sameness, any attempts at white washing or black washing, which I don't want that is but I've heard counter-arguements in that way.

Seth Price 45:02

Really? How can that…this doesn’t make any sense to me?

Lo Alaman 45:07

But people again, when you when you want to argue with thing they ain’t even on facts anymore.

Seth Price 45:10

But it doesn’t make sense because whiteness is the default textbook, like every page in there is….well this is a different topic.

Lo Alaman 45:24

The point being though is, I think that one of the lines in the poem is like, you know, a bridge is trying to take you somewhere, right? I think we kind of can't get on the same page, we can't even decide on the bridge that we should take, if we can't decide we all would have been at the same place. I don't have any critique for how people try to move forward towards unity and oneness. I openly reject sameness. I openly reject that God wants us to forget who we are ethnically. In the three revelations, people of our nation tribes showing up laying down crowns. Apparently, we come from places, and he's cool with that and he's glorified. And it's all his image. It's all been touched by his hand. He loves it. And so yeah, I feel like, whatever whatever oneness looks like, for our time, in our context, I'm all about that. And I do leave that poem, and the poem is a list of prose, it doesn't offer any answers. It's for you to wrestle with.

Seth Price 46:23

That’s why I asked here so that hopefully you’d answer it.

Lo Alaman 46:25

That's the point though, right? Because again, we want like to be like “hand me an answer.” And my answer is the same thing. Breath of God, like, I don't know how he's gonna do it. I have exhausted myself emotionally, spiritually, like I have no more to give arguments to white folks who don't want to listen. Or new phenomena, black folks who don't believe it's an issue either, Like, I don't have any argument for that. I have a bleeding heart for myself and for you. And I desire for this one. I've seen it. In my context, the area I was discipled in, there was a handful of artists. I was in college, and it was a mixed community. There's a white pastor dude, who is a white dude, you know what I'm saying. But black kids come to his church, white kids and Spanish kids come to his church, and like, we actually had an all Hispanic service that wasn't just like, we're all the Mexicans are go. Like, you know, I'm saying it was like, this is just a, we sing this kind of genre music here. No matter what you like, you come to it. Like I've seen oneness before. That was clunky and weird. But beautiful but that's what it looked like for us. I'm not saying the hassle of that for everybody else. I just caught a glimpse of what oneness could be. And I don't want to settle for anything that's less than. I think sameness is a settling for less than.

Seth Price 47:37

It's been a while since I asked this question. But it matters. It's not theological at all, but it's extremely important. So you're in Texas now. From California and Mississippi. So you've been all over the continent. So being that I'm from Texas, I take this personal and depending on the answer, I might just hit Delete on the whole thing. What-A-burger or In and Out Burger.

Lo Alaman 48:04

(cackles)

Alright, so I'm a loyalist, as we talked about with basketball, I have to say In and Out.

Seth Price 48:10

Deleted.

Lo Alaman 48:12

And can I make a counter argument? Because here's where I get into like the whole like, now I gotta bring facts up.

Seth Price 48:20

This is how I feel!

Lo Alaman 48:23

Dude, but Texas is a cult. And people here like I could say I like In and Out more. I like it! I like what I like! I like it more. But there's no space for that here. Like you have a soul if you don't see these come and take your tattoos on cuz…like you can't not like my burger! But you got better fries, I’ll give you that.

Seth Price 48:48

I haven't had a What-A-burger in 20 years, but I think that's why I like it so much. Because like I hadn't tasted it forever. I'm asking for the drip of water on my tongue. And that drip of water is What-a-burger, you know, at the moment. You see what I did? That's blasphemous right there. So, alright, serious. So a question I've been asking everyone this year. When you say God to someone or the divine or whatever word you want to say? What are you saying? Like, what is that? How is that?

Lo Alaman 49:24

Man, I think that when I have a conversation with my mom, I was raised with just mom, single parent home, all that stuff like that. I have a conversation with my mom. I can tell the spaces when it's just love. When it's just for me. I can tell when fear gets into the conversation. I can tell the tone of her voice. I can tell when she has an agenda. Like I think she's crazy for me, but even she's a human. You know? I had a conversation with my mom when I was 17 years old. I said “Mom, I want to be a pilot”. And she was like, you know, “black men in America need a degree. No pilot school. You're going to college”.

I heard heard her voice coded in fear, you know? Now that was my mom that was like that fear in that. Now on the flip side I came and told my mom I'm adopting a little girl and there was nothing but like joy and excitement. And not that the circumstances were not necessarily what it is but I can hear in her the difference of “this is just my love for you coming out” versus “this is my fear/my concern” whatever. Same thing in my wife, my daughter, same thing in this conversation here. I feel like whatever that genuine, pure, sense of life-that energy can't be created or destroyed or something in fact pure about where we come from something pure about what love does and how it connects people. I think that is a window into who God is. And it's a bread crumb of sorts back to who he is ultimately. When I think of God I think of the pureness of life the pureness of love. I think of holiness not in like the you know, I'm behaving but holy in kind of like an Old Testament sense worship; it's other, it's what we're all surrounded by but we're all chasing towards it. It's not fully here yet. So yeah, that's a loaded way of saying I think it’s Jesus. I think Jesus embodies that in a way that only he has done.

I think of you know that 1 Corinthians 13 like this is a description of who love is and just sounds like a savior.

So yeah, that's my jumbled up leaning towards God.

Seth Price 51:29

So where do people go? I tried to find you on Twitter couldn't find you. Maybe you're not on Twitter. But it's like so like, where do you want people to go get the book, etc. Where do they go?

Lo Alaman 51:37

So wesangadirge.com You can find the book there. You can follow me on the Instagrams @lothepoet You can send your boy an email. I love these conversations. Lothepoet@gmail.com. And yeah, I think I'm still on Facebook, Lo Alaman. I'm not cool enough for Twitter man is a place to be super opinionated and I got enough of that.

Seth Price 52:02

Oh, I yeah, so I don't quite understand Twitter. I mean, Instagram. Twitter's become my places like Facebook's where I go, because that's that the algorithm that runs the world at the moment. But Twitter's like where I go and put it this way. So a theologian, basically, let me back up, all those links are gonna be in the show notes for the laziness that for people need to go down and just click the button because I will say, you know, that's the world we live in, and we need it easy. So I'll make it easy.

However, um, yeah. I someone said, you know, put a song in my head and five words. So on Twitter, I said, “Never gonna give you up” to which their responses were like, “Oh, he see what he did there”. And then my second response was just a GIF of him Rick rolling. That's Twitter to me. I don't know how to do that on Instagram. You know what I mean?

Lo Alaman 52:52

Maybe it's a generational thing, but Instagram, it's that and more. And we're such a visual society now. Like, I don't know, I don't have the things I think I know. But you show me an image in my mind is goes to those places.

Seth Price 53:11

Yeah. Well, good, man. I really appreciate you coming on. Really enjoyed it. So so very much been a pleasure, man. I like to do it again. I don't know what we'll talk on. But we'll figure it out. I'd love to do it again. I really…I don't always laugh in these. So I like laughing

Lo Alaman 53:25

I’m about it, I’m so about it.

Seth Price 53:35

As I've done with many of the poets, or artists that have come on to the show, I asked Lo if he would read a bit from his book. And so I found this specific section extremely powerful. I hope you do too.

Lo Alaman 53:57

Ain’t the keyboard tired?

Ain’t it sick of being forced to sound like something it isn’t?

Ain’t it sustained for too long?

Ain’t its buttons been pressed too much?

Ain’t it fed up with being a plaything for inexperienced hands?

Let it respond

Let it raise the volume on its frustration

Let the depths of its lament be transposed

To a key that silence can’t lock up

Let it hurt out loud

Let it be loud enough for all to hear

What a beating the drum takes

How oppressive the sticks must seem

Could see one strike as coincidence

But how long before we call the cadence systemic?

How many blows can it take before it can’t anymore?

Let it speak out

Let percussion come from its protest

Let it sound off

Let it push back

Let a rhythm be born of how many times it says no

And doesn’t crack

And doesn’t break

And still is

So tight the violin’s strings are pulled

So firm its neck is held

So sharp the bow cuts along its vulnerable body

So agonizing it must be to be sawed into

Let it cry

Let its aching be an audible groan

Let the sound it makes unsettle whoever hears it

Whoever won’t tune it out

Whoever will listen

I’ve known Life to be a sweet song

I’ve known Living to be a complicated sheet of music

I’ve known many to fear Christ to be a critic of suffering

Forgetting He too was a man

Broken into a sad song

His body

Laid into a silent tomb

His resurrection

An invitation to keep quiet no longer

The Father is a good Conductor

He has staff lines for hands

An honest space for us to place all of our notes

Whether beautiful or broken

I’ve sung many sorrows to Him

I’ve been a playlist of emotions

I cry out before Him time and time again

And each time

He listens

Seth Price 56:07

This year, and honestly, many of the years in the past have brought so much sorrow and pain and angst and fears and that's okay. I believe that the God that we worship is big enough for that and if he's not, if she's not, if it's not, it's not one that's worth, our adoration, our faith, our worship, it's just not. I'm so thankful for people like Lowe for bringing a text that can allow me to embrace lament but also look for hope and joy. Today's music was by Branan Murphy, you're gonna find links to his music on the playlist for the show.

Remember to rate and review and if you're able to support the show on Patreon or any other way that you're able, I will talk with you next week.

Be blessed